Abbey Theatre in the context of "Stephen Rea"

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⭐ Core Definition: Abbey Theatre

The Abbey Theatre (Irish: Amharclann na Mainistreach), also known as the National Theatre of Ireland (Irish: Amharclann Náisiúnta na hÉireann) is a theatre in Dublin, Ireland. First opening to the public on 27 December 1904, and moved from its original building after a fire in 1951, it has remained active to the present day. The Abbey was the first state-subsidized theatre in the English-speaking world; from 1925 onwards it received an annual subsidy from the Irish Free State. Since July 1966, the Abbey has been located at 26 Lower Abbey Street, Dublin 1.

In its early years, the theatre was closely associated with the writers of the Irish Literary Revival, many of whom were involved in its founding and most of whom had plays staged there. The Abbey served as a nursery for many of leading Irish playwrights, including William Butler Yeats, Lady Gregory, Seán O'Casey and John Millington Synge, as well as leading actors. In addition, through its extensive programme of touring abroad and its high visibility to foreign, particularly American, audiences, it has become an important part of the Irish theatre history and Irish cultural brand.

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👉 Abbey Theatre in the context of Stephen Rea

Stephen Rea (/ˈr/ ray; born October 31, 1946) is an Irish actor. Born in Belfast, Northern Ireland, he began his career as a member of Dublin's Focus Theatre, and played many roles on the stage and on Irish television. He came to the attention of international film audiences in Irish filmmaker Neil Jordan's 1992 film The Crying Game, and subsequently starred in many more of Jordan's films, including Interview with the Vampire (1994), Michael Collins (1996), Breakfast on Pluto (2005), and Greta (2018). He also played a starring role in the Hugo Blick 2011 TV series The Shadow Line.

As a stage actor, he is known for his performances at The Gate and Abbey theatres in Dublin, and the Royal Court Theatre in London. He is a co-founder of the Field Day Theatre Company with Brian Friel.

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Abbey Theatre in the context of W. B. Yeats

William Butler Yeats (/jts/ YAYTS; 13 June 1865 – 28 January 1939) was an Irish poet, dramatist, writer and literary critic who was one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival and, along with John Millington Synge and Lady Gregory, founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature and later served two terms as a Senator of the Irish Free State.

A Protestant of Anglo-Irish descent, Yeats was born in Sandymount, Ireland. His father practised law and was a successful portrait painter. He was educated in Dublin and London and spent his childhood holidays in County Sligo. He studied poetry from an early age, when he became fascinated by Irish legends and the occult. While in London he became part of the Irish literary revival. His early poetry was influenced by John Keats, William Wordsworth, William Blake and many more. These topics feature in the first phase of his work, lasting roughly from his student days at the Metropolitan School of Art in Dublin until the end of the 19th century. His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood.

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Abbey Theatre in the context of John Millington Synge

Edmund John Millington Synge (/sɪŋ/; 16 April 1871 – 24 March 1909), popularly known as J. M. Synge, was an Irish playwright, poet, writer, and collector of folklores. As a key figure of the Irish Literary Revival during the early 20th century, he is widely regarded by critics and scholars as one of the most influential dramatists of the Edwardian era, and by several of his peers, among them William Butler Yeats, as the most prolific playwright in Irish literature.

His play The Playboy of the Western World (1907), one of his best-known works, was initially poorly received, due to its bleak ending, crude depiction of poor Irish peasants, and the idealisation of patricide, leading to hostile audience reactions and street riots in Dublin during its opening run at the Abbey Theatre, which he had co-founded with W. B. Yeats and Lady Gregory. His other major works include In the Shadow of the Glen (1903), Riders to the Sea (1904), The Well of the Saints (1905), and The Tinker's Wedding (1909). Most of his plays were known for their highly realistic depiction of Irish societies and culture, and included plots, themes, landscapes, and settings from places he visited during his travels.

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Abbey Theatre in the context of Augusta, Lady Gregory

Isabella Augusta, Lady Gregory (née Persse; 15 March 1852 – 22 May 1932) was an Anglo-Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology. Born into a class that identified closely with British rule, she turned against it. Her conversion to cultural nationalism, as evidenced by her writings, was emblematic of many of the political struggles that occurred in Ireland during her lifetime.

Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. Her home at Coole Park in County Galway served as an important meeting place for leading Revival figures, and her early work as a member of the board of the Abbey was at least as important as her creative writings for that theatre's development. Lady Gregory's motto was taken from Aristotle: "To think like a wise man, but to express oneself like the common people."

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