Romanization of Sanskrit in the context of "Dandaka Forest"

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanized: Rāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

Rakshasa (Sanskrit: राक्षस, pronounced [ɾɑːk.ʂɐ.s̪ɐ], romanized: rākṣasa; Pali: rakkhasa; lit. 'demon' or 'fiend') are a race of usually malevolent beings prominently featured in Hinduism, Buddhism, Jainism, and Indonesian folk Islam. They reside on Earth but possess supernatural powers, which they usually use for evil acts such as disrupting Vedic sacrifices or eating humans.

The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The feminine form of rakshasa is rakshasi (राक्षसी, IPA: [ɾɑːk.ʂɐ.s̪iː], rākṣasī).

Ravana (Sanskrit: रावण, romanized: Rāvaṇa, lit. 'roaring') is the principal antagonist of the ancient Hindu epic Ramayana and its several other versions. He is traditionally depicted as a ten-headed rakshasa (demon) king of Lanka. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana text Laṅkāvatāra Sūtra, in Buddhist Jatakas, as well as in Jain Ramayanas. In Vaishnava scriptures, he is depicted as one of Vishnu's cursed doorkeepers.

Shakuntala (Sanskrit: शकुन्तला, romanized: Śakuntalā) is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play Abhijnanashakuntalam (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the Mahabharata (c. 400 BC - 400 AD), where she appears in the Adi Parva ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India.

In the Mahabharata, Shakuntala introduces herself to Dushyanta when he visits her hermitage during a hunting expedition in the absence of her foster father, Kanva. The two fall in love and secretly marry according to the Gandharva tradition (a love marriage), consummating their union in the forest. Afterward, Dushyanta returns to his palace life and gradually forgets about Shakuntala. Years later, she approaches him with their son, Bharata, but he hesitates to acknowledge them. Outspoken and fearless, Shakuntala rebukes him forcefully until a celestial voice intervenes to confirm the truth, compelling Dushyanta to accept her and their son.

Buddhacharita (Sanskrit: बुद्धचरितम्, romanized: Buddhacaritam; transl. Acts of the Buddha) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by Aśvaghoṣa of Sāketa (modern Ayodhya), composed in the early second century CE.

The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a vast knowledge of Indian mythology and pre-Buddhist philosophy, as well as a court poet's interest in love, war, and statecraft.

The Vedas (/ˈveɪdəz/ or /ˈviːdəz/; Sanskrit: वेदः, romanized: Vēdaḥ, lit. 'knowledge'), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.

There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox śramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for the Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively.

Varna (Sanskrit: वर्ण, romanized: varṇa, Hindi pronunciation: ['ʋəɾɳə]), in the context of Hinduism, refers to a social class within a hierarchical traditional Hindu society. The ideology of varna is epitomized in texts like Manusmriti, which describes and ranks four varnas, and prescribes their occupations, requirements and duties, or Dharma.

• Brahmins: Vedic scholars, priests or teachers.
• Kshatriyas: Rulers, administrators or warriors.
• Vaishyas: Agriculturalists, farmers or merchants.
• Shudras: Artisans, labourers or servants.

This quadruple division is a form of social stratification, quite different from the more nuanced system of Jātis, which correspond to the term "caste".

The Devi Mahatmya or Devi Mahatmyam (Sanskrit: देवीमाहात्म्यम्, romanized: devīmāhātmyam, lit. 'Glory of the Goddess') is a Hindu philosophical text describing the Goddess, known as Adi Parashakti or Durga, as the supreme divine ultimate reality and creator of the universe. It is part of the Mārkanḍeya Purāna (chapters 81 to 93).

The Devi Mahatmyam is also known as the Durgā Saptashatī (दुर्गासप्तशती), Śata Chandī (शत् चंडी) and Chandi Path (चंडी पाठ). The text contains 700 verses that are arranged into 13 chapters. It is one of the most important texts in Shaktism, along with Devi-Bhagavata Purana and Devi Upanishad. The text is also one of the earliest extant complete manuscripts from the Hindu traditions which describes reverence and worship of the feminine aspect of God.

The Kabul River (Pashto: د کابل سیند, romanized: Də Kābəl Sind; Dari: دریای کابل, romanized: Daryā-yi Kābul), anciently known as the Kubha (Sanskrit: कुभा, romanized: Kubhā) and Cophen (Ancient Greek: Κωφήν, romanized: Kōphḗn; /ˈkoʊfeɪn/), is a 700-kilometre-long (430 mi) river that emerges in the Sanglakh Range of the Hindu Kush mountains in the northeastern part of Maidan Wardak Province, Afghanistan. It is separated from the watershed of the Helmand River by the Unai Pass. The Kabul River empties into the Indus River near Attock, Pakistan. It is the main river in eastern Afghanistan and the Khyber Pakhtunkhwa province of Pakistan.

Puranas (Sanskrit: पुराण, romanized: Purāṇa, lit. 'Ancients') are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Devi. The Puranic genre of literature is found in both Hinduism and Jainism.

The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, queens, heroes, heroines, sages, other gods, other goddesses, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, theology, philosophy, etc. The content is highly inconsistent across the Puranas, and each Purana has survived in numerous manuscripts which are themselves inconsistent. The Hindu Maha Puranas are traditionally attributed to Vyasa, but many scholars consider them likely the work of many authors over the centuries; in contrast, most Jaina Puranas can be dated and their authors assigned.