Romanesque architecture in the context of "Medieval architecture"

Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.

Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and most of the major survivals are from the later empire, after about 100 AD. Roman architectural style continued to influence building in the former empire for many centuries, and the style used in Western Europe beginning about 1000 is called Romanesque architecture to reflect this dependence on basic Roman forms.

A tympanum (pl. tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element, although it is most commonly associated with Romanesque and Gothic architecture.

Alternatively, the tympanum may hold an inscription, or in modern times, a clock face.

The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture and religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.

Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects.

Hildesheim Cathedral (German: Hildesheimer Dom), officially the Cathedral of the Assumption of Mary (German: Hohe Domkirche St. Mariä Himmelfahrt) or simply St. Mary's Cathedral (German: Mariendom), is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.

The cathedral church was built between 1010 and 1020 in the Romanesque style. It follows a symmetrical plan with two apses, that is characteristic of Ottonian Romanesque architecture in Old Saxony. The cathedral's treasures include world-famous artworks, bronze works from the time of Bishop Bernward, Bernward Doors and Bernward Column, as well as two of the four notable Romanesque wheel chandeliers: the Hezilo chandelier and the Azelin chandelier.

Prague (/ˈprɑːɡ/ PRAHG; Czech: Praha [ˈpraɦa] ) is the capital and largest city of the Czech Republic and the historical capital of Bohemia. Prague, located on the Vltava River, has a population of about 1.4 million, while its metropolitan area is home to approximately 2.3 million people.

Prague is a historical city with Romanesque, Gothic, Renaissance, and Baroque architecture. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378) and Rudolf II (r. 1575–1611). It was an important city to the Habsburg monarchy and Austria-Hungary. The city played major roles in the Bohemian and the Protestant Reformation, the Thirty Years' War, and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era.

Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics.

In southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.

Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, and seminaries. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the Early Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.

Buildings were at first from those originally intended for other purposes but, with the rise of distinctively ecclesiastical architecture, church buildings came to influence secular ones which have often imitated religious architecture. In the 20th century, the use of new materials, such as steel and concrete, has had an effect upon the design of churches.

Romanesque Revival (or Neo-Romanesque) is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts.

An early variety of Romanesque Revival style known as Rundbogenstil ("Round-arched style") was popular in German lands and in the German diaspora beginning in the 1830s. By far the most prominent and influential American architect working in a free "Romanesque" manner was Henry Hobson Richardson. In the United States, the style derived from examples set by him are termed Richardsonian Romanesque, of which not all are Romanesque Revival.