Architecture of cathedrals and great churches in the context of "Christian architecture"

⭐ In the context of Christian architecture, despite the renown of structures like Gothic cathedrals and Renaissance basilicas, what characterizes the majority of church buildings historically?

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⭐ Core Definition: Architecture of cathedrals and great churches

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.

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👉 Architecture of cathedrals and great churches in the context of Christian architecture

Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, and seminaries. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the Early Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.

Buildings were at first from those originally intended for other purposes but, with the rise of distinctively ecclesiastical architecture, church buildings came to influence secular ones which have often imitated religious architecture. In the 20th century, the use of new materials, such as steel and concrete, has had an effect upon the design of churches.

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Architecture of cathedrals and great churches in the context of Christendom

Christendom or the Christian world are terms commonly used to refer to the global Christian community, Christian states, Christian-majority countries or countries in which Christianity is dominant or prevails.

Following the spread of Christianity from the Levant to Europe and North Africa during the early Roman Empire, Christendom has been divided in the pre-existing Greek East and Latin West. After the Great schism of 1054, two main branches within Christianity emerged, centred around the cities of Rome (Western Christianity, whose community was called Western or Latin Christendom) and Constantinople (Eastern Christianity, whose community was called Eastern Christendom or Byzantine commonwealth). After the fall of Constantinople in 1453, Latin Christendom rose to a central role in the Western world. Following the reformation, protestantism emerged as the third main branch of Christianity in the 16th century. The history of the Christian world spans about 2,000 years and includes a variety of socio-political developments, as well as advancements in the arts, architecture, literature, science, philosophy, politics and technology.

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Architecture of cathedrals and great churches in the context of Apse

In architecture, an apse (pl.: apses; from Latin absis, 'arch, vault'; from Ancient Greek ἀψίς, apsis, 'arch'; sometimes written apsis; pl.: apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an exedra. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines.

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Architecture of cathedrals and great churches in the context of Wheel chandelier

A wheel chandelier is a lighting installment, in the form of a chandelier hanging from the ceiling in the form of a spoked wheel. The oldest and most important examples derive from the Romanesque period.

Wheel chandeliers were made for the practical purpose of lighting the great churches and other public areas, but in religion they also had symbolic significance, depicting the Garden of Eden or the Kingdom of God. The wheel, its gates, and its towers, which are usually decorated with Prophets and Apostles or inscribed with their names, symbolise the city walls of the New Jerusalem. The buttresses, towers, and candles number twelve or a multiple of twelve, after the numerology of the Book of Revelation. This symbolism is first found on two wheel chandeliers of Hildesheim Cathedral. The great wheel chandelier of the Church of the Holy Sepulchre was an inspiration.

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LINKED FROM (PARENTS)
← Christendom ← Christian architecture ← Church architecture ← Christian world ← Apse ← Wheel chandelier ← Christian Europe ← Chevet
LINKS TO (CHILDREN)
Etchmiadzin Cathedral → Salisbury Cathedral → Early English Gothic → England → St. Basil's Cathedral → Moscow → Sagrada Família → Barcelona → Art Nouveau → Antoni Gaudí → Cathedral → Collegiate church → Monastery → Abbey → Priories → Parish church → Contemporary architecture → St Peter's Basilica → Notre-Dame de Paris → Cologne Cathedral → Antwerp Cathedral → Prague Cathedral → Lincoln Cathedral → Basilica of Saint-Denis → Santa Maria Maggiore → Basilica of San Vitale → St Mark's Basilica → Westminster Abbey → Saint Basil's Cathedral → Hagia Sophia → Istanbul → Mosque → Christianity → Church (building) → Styles of architecture → Bishop → Stonemason → Architect → Europe → Early Christian → Byzantine architecture → Romanesque architecture → Gothic architecture → Renaissance architecture → Baroque architecture → Rococo → Neoclassical architecture → Revivalism (architecture) → Modern architecture →