Romanesque architecture in the context of Architectural style

Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.

Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and most of the major survivals are from the later empire, after about 100 AD. Roman architectural style continued to influence building in the former empire for many centuries, and the style used in Western Europe beginning about 1000 is called Romanesque architecture to reflect this dependence on basic Roman forms.

A tympanum (pl. tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element, although it is most commonly associated with Romanesque and Gothic architecture.

Alternatively, the tympanum may hold an inscription, or in modern times, a clock face.

The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture and religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.

Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects.

Hildesheim Cathedral (German: Hildesheimer Dom), officially the Cathedral of the Assumption of Mary (German: Hohe Domkirche St. Mariä Himmelfahrt) or simply St. Mary's Cathedral (German: Mariendom), is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.

The cathedral church was built between 1010 and 1020 in the Romanesque style. It follows a symmetrical plan with two apses, that is characteristic of Ottonian Romanesque architecture in Old Saxony. The cathedral's treasures include world-famous artworks, bronze works from the time of Bishop Bernward, Bernward Doors and Bernward Column, as well as two of the four notable Romanesque wheel chandeliers: the Hezilo chandelier and the Azelin chandelier.

Prague (/ˈprɑːɡ/ PRAHG; Czech: Praha [ˈpraɦa] ) is the capital and largest city of the Czech Republic and the historical capital of Bohemia. Prague, located on the Vltava River, has a population of about 1.4 million, while its metropolitan area is home to approximately 2.3 million people.

Prague is a historical city with Romanesque, Gothic, Renaissance, and Baroque architecture. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378) and Rudolf II (r. 1575–1611). It was an important city to the Habsburg monarchy and Austria-Hungary. The city played major roles in the Bohemian and the Protestant Reformation, the Thirty Years' War, and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era.

Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics.

In southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.

Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, and seminaries. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the Early Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.

Buildings were at first from those originally intended for other purposes but, with the rise of distinctively ecclesiastical architecture, church buildings came to influence secular ones which have often imitated religious architecture. In the 20th century, the use of new materials, such as steel and concrete, has had an effect upon the design of churches.

Romanesque Revival (or Neo-Romanesque) is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts.

An early variety of Romanesque Revival style known as Rundbogenstil ("Round-arched style") was popular in German lands and in the German diaspora beginning in the 1830s. By far the most prominent and influential American architect working in a free "Romanesque" manner was Henry Hobson Richardson. In the United States, the style derived from examples set by him are termed Richardsonian Romanesque, of which not all are Romanesque Revival.

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum (lit. 'French work'); the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.

The defining design element of Gothic architecture is the pointed arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows.

Vézelay Abbey (French: Abbaye Sainte-Marie-Madeleine de Vézelay) is a Benedictine and Cluniac monastery in Vézelay in the east-central French department of Yonne. It was constructed between 1120 and 1150. The Benedictine abbey church, now the Basilica of Sainte-Marie-Madeleine (Saint Mary Magdalene), with its complex program of imagery in sculpted capitals and portals, is one of the great masterpieces of Burgundian Romanesque art and architecture. Sacked by the Huguenots in 1569, the building suffered neglect in the 17th and the 18th centuries and some further damage during the period of the French Revolution.

The church and hill at Vézelay were added to the UNESCO list of World Heritage Sites in 1979 because of their importance in medieval Christianity and outstanding architecture.

Pedimental sculpture is a form of architectural sculpture designed for installation in the tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows.

In Romanesque architecture, and very often in Gothic architecture, the tympanum is usually semi-circular at the top, and the sculptural groups, usually with religious subjects, adapted to fit the new spaces. In the Renaissance triangular pediments returned, as gradually did sculptural groups within them, becoming very popular for important buildings in the 19th century.

Orava Castle (Slovak: Oravský hrad, Hungarian: Árva vára) is a castle situated on a high rock above Orava river in the village of Oravský Podzámok, Slovakia. The castle was built in the Kingdom of Hungary, with the oldest parts being built in the thirteenth century and the most recent parts in the early seventeenth century. Many scenes of the 1922 film Nosferatu were filmed here, the castle representing Count Orlok's Transylvanian castle.

Orava Castle stands on the site of an old wooden fortification, built after the Mongol invasion of Hungary of 1241. Its history follows a familiar pattern of construction, destruction, reconstruction, fire, various ownerships and territorial squabbles. The original design was in Romanesque and Gothic style; it was later reconstructed as a Renaissance and Neo-Gothic structure, hugging the shape of the 520-metre spur on which it perches.

The Medieval Monuments in Kosovo (Serbian: Средњовековни споменици на Косову, Srednjovekovni spomenici na Kosovu, Albanian: Monumentet Mesjetare në Kosovë) are a World Heritage Site consisting of four Serbian Orthodox Christian churches and monasteries which represent the fusion of the eastern Orthodox Byzantine and the western Romanesque ecclesiastical architecture to form the Palaiologian Renaissance style. The construction was founded by members of Nemanjić dynasty, the most important dynasty of Serbia in the Middle Ages. The sites are located in Kosovo.

In 2004, UNESCO recognized the Dečani Monastery for its outstanding universal value. Two years later, the site of patrimony was extended as a serial nomination, to include three other religious monuments: Patriarchate of Peć Monastery, Our Lady of Ljeviš and Gračanica Monastery.

The Visoki Dečani Monastery is a medieval Serbian Orthodox Christian monastery located near Deçan, Kosovo. It was founded in the first half of the 14th century by Stefan Dečanski, King of Serbia.

Dečani is by far the largest medieval church in the Balkans. Its architectural style, which emerged in Kingdom of Serbia at the end of the 12th century, combines Orthodox traditions with Romanesque influences and is regarded as one of the most complex architectural achievements of the 14th century. The monastery reflects the cultural exchange between the East and West, representing Serbia's historical position during the medieval period. The Dečani church contains frescos that show defining moments from both Serbian history and Christian tradition. It also features the largest preserved collection of Byzantine painting. For centuries, Dečani has played a key role in preserving the spiritual, cultural, and national identity of Serbs in Kosovo.

Angoulême Cathedral (French: Cathédrale Saint-Pierre d'Angoulême) is a Roman Catholic church in Angoulême, Charente, France. The cathedral is in the Romanesque architectural and sculptural tradition, and is the seat of the Bishop of Angoulême.