Roman temple in the context of "List of Roman domes"

In architecture, a folly is a building constructed primarily for decoration, but suggesting through its appearance some other purpose, or of such extravagant appearance that it transcends the range of usual garden buildings.

Eighteenth-century English landscape gardening and French landscape gardening often featured mock Roman temples, symbolising classical virtues. Other 18th-century garden follies imitated Chinese temples, Egyptian pyramids, ruined medieval castles, abbeys, or Tatar tents, to represent different continents or historical eras. Sometimes they represented rustic villages, mills and cottages, to symbolise rural virtues. Many follies, particularly during times of famine, such as the Great Famine in Ireland, were built as a form of poor relief, to provide employment for peasants and unemployed artisans.

The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans. This legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Christian Church. This glossary provides explanations of concepts as they were expressed in Latin pertaining to religious practices and beliefs, with links to articles on major topics such as priesthoods, forms of divination, and rituals.

For theonyms, or the names and epithets of gods, see List of Roman deities. For public religious holidays, see Roman festivals. For temples see the List of Ancient Roman temples. Individual landmarks of religious topography in ancient Rome are not included in this list; see Roman temple.

Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.

The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. Interpretatio graeca may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods.

The Pantheon (UK: /ˈpænθiən/, US: /-ɒn/; Latin: Pantheum, from Ancient Greek Πάνθειον (Pantheion) '[temple] of all the gods') is an ancient 2nd century Roman temple and, since AD 609, a Catholic church called the Basilica of St. Mary and the Martyrs (Italian: Basilica Santa Maria ad Martyres) in Rome, Italy. It is perhaps the most famous, and architecturally most influential, rotunda.

The Pantheon was built on the site of an earlier temple, which had been commissioned by Marcus Vipsanius Agrippa during the reign of Augustus (27 BC–AD 14). After the original burnt down, the present building was ordered by the emperor Hadrian and probably dedicated c. AD 126. Its date of construction is uncertain, because Hadrian chose to re-inscribe the new temple with Agrippa's original date inscription from the older temple.

In Classical architecture, a cella (Latin for 'small chamber') or naos (from Ancient Greek ναός (naós) 'temple') is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings: of a hermit's or monk's cell, and (since the 17th century) of a biological cell in plants or animals.

Aizanoi (Ancient Greek: Αἰζανοί), Latinized as Aezani, was an Ancient Greek city in western Anatolia. It was located at the site of the modern village of Çavdarhisar, near Kütahya, on both sides of the Penkalas river, c. 1,000 m (3,300 ft) above sea level. The city was an important political and economic centre in Roman times; surviving remains from the period include a well-preserved Temple of Zeus, a combined theatre-stadium complex, and a round building, probably a macellum, inscribed with a copy of the Price Edict of Diocletian. The city fell into decline in Late Antiquity. In 2012 the site was submitted for inclusion on the UNESCO World Heritage List.

Volubilis (Latin pronunciation: [wɔˈɫuːbɪlɪs]; Arabic: وليلي, romanized: walīlī; Berber languages: ⵡⵍⵉⵍⵉ, romanized: wlili) is a partly excavated Berber-Roman city in Morocco, situated near the city of Meknes, that may have been the capital of the Kingdom of Mauretania, at least from the time of King Juba II. Before Volubilis, the capital of the kingdom may have been at Gilda.

Built in a fertile agricultural area, it developed from the 3rd century BC onward as a Berber, then proto-Carthaginian, settlement before being the capital of the kingdom of Mauretania. It grew rapidly under Roman rule from the 1st century AD onward and expanded to cover about 42 hectares (100 acres) with a 2.6 km (1.6 mi) circuit of walls. The city gained a number of major public buildings in the 2nd century, including a basilica, temple and triumphal arch. Its prosperity, which was derived principally from olive growing, prompted the construction of many fine town-houses with large mosaic floors.