Roland in the context of "Orlando Furioso"

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⭐ Core Definition: Roland

Roland (French pronunciation: [ʁɔ.lɑ̃]; Old Frankish: *Hrōþiland; Medieval Latin: Hruodlandus or Rotholandus; Italian: Orlando or Rolando; died 15 August 778) was a Frankish military leader under Charlemagne who became an epic hero and one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass.

The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French Chanson de Roland of the 11th century.

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👉 Roland in the context of Orlando Furioso

Orlando furioso (Italian pronunciation: [orˈlando fuˈrjoːzo, -so]; The Frenzy of Orlando) is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato (Orlando in Love, published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French La Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the Late Middle Ages and continuing in popularity in the 16th century and well into the 17th.

Orlando is the Christian knight known in French and English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about knights and ladies, war and love, and the romantic ideal of chivalry. It mixes realism and fantasy, humor and tragedy. The stage is the entire world, plus a trip to the Moon. The large cast of characters features Christians and Saracens, soldiers and sorcerers, and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure, but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica, which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero, who are supposed to be the ancestors of Ariosto's patrons, the House of Este of Ferrara; and the war between Christian and Infidel.

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Roland in the context of Paladin

The Paladins, also called the Twelve Peers (French: Douze Pairs), are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them (a number with Christian associations) led by Roland (spelled Orlando in later Italian sources). The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.

The legend is based on the historical Umayyad invasion of Gaul and subsequent conflict in the Marca Hispanica between the Frankish Empire and the Emirate of Córdoba. The term paladin is from Old French, deriving from the Latin comes palatinus (count palatine), a title given to close retainers.

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Roland in the context of The Song of Roland

The Song of Roland (French: La Chanson de Roland) is an 11th-century chanson de geste based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to the 16th centuries.

It is an epic poem written in Old French and is the first example of the chanson de geste, a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. An early version was composed around AD 1040, with additions and alterations made up to about AD 1115. The final poem contains about 4,000 lines.

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Roland in the context of Aude (character)

Aude, or Alda, Alde, was the sister of Oliver and betrothed of Roland in The Song of Roland, and other chansons de geste. The story of her engagement to Roland is told in Girart de Vienne.

In The Song of Roland Aude is first mentioned by her brother Oliver when he tells Roland that the two will never be married, when the two counts are arguing before the battle; they are later reconciled, but both die fighting the Saracens. When Charlemagne returns to Aix and informs Aude that Roland has died, she collapses at the Emperor's feet and dies of grief. In the poem Aude is not a romantic character, but a heroine of drama and even melodrama, she is a leading literary character, on a par with the heroes. Love, treated at greater length still takes on no courtly hue, it is a tragic and absolute love, as in heroic works.

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