French literature in the context of "The Song of Roland"

François-René, vicomte de Chateaubriand (4 September 1768 – 4 July 1848) was a French writer, politician, diplomat and historian who influenced French literature of the nineteenth century. Descended from an old aristocratic family from Brittany, Chateaubriand was a royalist by political disposition. In an age when large numbers of intellectuals turned against the Church, he authored the Génie du christianisme in defense of the Catholic faith. His works include the autobiography Mémoires d'Outre-Tombe (Memoirs from Beyond the Grave), published posthumously in 1849–1850.

Historian Peter Gay said that Chateaubriand saw himself as the greatest lover, the greatest writer, and the greatest philosopher of his age. Gay states that Chateaubriand "dominated the literary scene in France in the first half of the nineteenth century".

Auguste-Maurice Barrès (French: [oɡyst mɔʁis baʁɛs]; 19 August 1862 – 4 December 1923) was a French novelist, journalist, philosopher, and politician. Spending some time in Italy, he became a figure in French literature with the release of his work The Cult of the Self in 1888. He was elected a member of the Académie Française in 1906.

In politics, Barrès was first elected to the Chamber of Deputies in 1889 as a Boulangist and would play a prominent political role for the rest of his life. He presided over the Ligue des Patriotes from 1914 until his death in 1923.

The chanson de geste (Old French for 'song of heroic deeds', from Latin: gesta 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.

Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred chansons de geste have survived in approximately three hundred manuscripts that date from the 12th to the 15th century.

A virelai is a form of medieval French verse used often in poetry and music. It is one of the three formes fixes (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries.

One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest.

Charles Augustin Sainte-Beuve (French: [ʃaʁl oɡystɛ̃ sɛ̃t bœv]; 23 December 1804 – 13 October 1869) was a French literary critic.

The Essays (French: Essais, pronounced [esɛ]) of Michel de Montaigne are contained in three books and 107 chapters of varying length. They were originally written in Middle French and published in the Kingdom of France. Montaigne's stated design in writing, publishing and revising the Essays over the period from approximately 1570 to 1592 was to record "some traits of my character and of my humours." The Essays were first published in 1580 and cover a wide range of topics.

The Essais exercised an important influence on both French and English literature, in thought and style.

The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.

The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by the French writer Alexandre Dumas. It was serialised from 1844 to 1846, then published in book form in 1846. It is one of his most popular works, along with The Three Musketeers (1844) and Man in the Iron Mask (1850). Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter, Auguste Maquet. It is regarded as a classic of French and world literature.

The novel is set in France, Italy, and islands in the Mediterranean Sea during the historical events of 1815–1839, the era of the Bourbon Restoration through the reign of Louis Philippe I. It begins on the day when Napoleon left his first island of exile, Elba, beginning the Hundred Days period of his return to power. The historical setting is fundamental to the narrative. The Count of Monte Cristo explores themes of hope, justice, vengeance, mercy and forgiveness.