Rig Veda in the context of Miscellany

India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Myanmar, Thailand, and Indonesia.

Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, predominantly in isolation as hunter-gatherers, has made the region highly diverse. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its hymns recorded the early dawnings of Hinduism in India. India's pre-existing Dravidian languages were supplanted in the northern regions. By 400 BCE, caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires. Widespread creativity suffused this era, but the status of women declined, and untouchability became an organised belief. In South India, the Middle kingdoms exported Dravidian language scripts and religious cultures to the kingdoms of Southeast Asia.

Hindus (Hindustani: [ˈɦɪndu] ; /ˈhɪnduːz/; also known as Sanātanīs) are people who religiously adhere to Hinduism, also known by its endonym Sanātana Dharma. Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent.

It is assumed that the term "Hindu" traces back to Avestan scripture Vendidad which refers to land of seven rivers as Hapta Hendu which itself is a cognate to Sanskrit term Sapta Sindhuḥ. (The term Sapta Sindhuḥ is mentioned in Rig Veda and refers to a North western Indian region of seven rivers and to India as a whole.) The Greek cognates of the same terms are "Indus" (for the river) and "India" (for the land of the river). Likewise the Hebrew cognate hōd-dū refers to India mentioned in Hebrew Bible (Esther 1:1). The term "Hindu" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims.

Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.

The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri, and heroic narratives like the Numit Kappa. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well. In 1913, Bengali poet Rabindranath Tagore became India's first Nobel laureate in literature.

Dvapara Yuga (IAST: Dvāpara-yuga) (Devanagari: द्वापर युग), in Hinduism, is the third and third-best of the four yugas (world ages) in a Yuga Cycle, preceded by Treta Yuga and followed by Kali Yuga. Dvapara Yuga lasts for 864,000 years (2,400 divine years).

According to the Puranas, this yuga ended when Krishna returned to his eternal abode of Vaikuntha. There are only two pillars of religion during the Dvapara Yuga: compassion and truthfulness. Vishnu assumes the colour yellow and the Vedas are categorized into four parts: Rig Veda, Sama Veda, Yajur Veda and Atharva Veda.

In Hinduism, Adityas (Sanskrit: आदित्य, lit. 'of Aditi' IAST: Āditya Sanskrit pronunciation: [aːd̪ɪt̪jɐ]) refers to a group of major solar deities, who are the offspring of the goddess Aditi. The name Aditya, in the singular, is taken to refer to the sun god Surya. Generally, Adityas are twelve in number and consist of Vivasvan (Surya), Aryaman, Tvashtr, Savitr, Bhaga, Dhatr, Mitra, Varuna, Amsha, Pushan, Indra and Vishnu (in the form of Vamana).

They appear in the Rig Veda, where they are 6–8 in number, all male. The number increases to 12 in the Brahmanas. The Mahabharata and the Puranas mention the sage Kashyapa as their father. In each month of the year a different Aditya is said to shine.

Savitṛ (Sanskrit: सवितृ IAST: Savitṛ, nominative singular: सविता IAST: Savitā, also rendered as Savitur), in Vedic scriptures is an Aditya (i.e., an "offspring" of the Vedic primeval mother goddess Aditi). His name in Vedic Sanskrit connotes "impeller, rouser, vivifier."

He is sometimes identified with—and at other times distinguished from—Surya, "the Sun god". When considered distinct from the Sun proper, he is conceived of as the divine influence or vivifying power of the Sun. The Sun before sunrise is called Savitr, and after sunrise until sunset it is called Sūrya.Savitr is venerated in the Rig Veda, the oldest component of the Vedic scriptures. He is first recorded in book three of the Rigveda; (RV 3.62.10) later called the Gayatri mantra. Furthermore, he is described with great detail in Hymn 35 of the Rig Veda, also called the Hymn of Savitr. In this hymn, Savitr is personified and represented as a patron deity. He is celebrated in eleven whole hymns of the Rig Veda and in parts of many others texts, with his name being mentioned about 170 times in aggregate..

Kanva or Kanwa (Sanskrit: कण्व, IAST: Kaṇva) was an ancient Hindu rishi of the Treta Yuga, to whom some of the hymns of the Rig Veda are ascribed. He was one of the Angirasas. He has been called a son of Ghora, but this lineage belongs to Pragatha Kanva, a subsequent Kanva of which there were many. However, Puranic literature has other different lineages for him, one as the son of Apratiratha and grandson of King Matinara, and another as the son of Ajamidha, who was a descendant in the ninth generation of Tansu, the brother of Apratiratha (Atiratha), or Ajamidha who was a contemporary of Matinara. This last seems to be the modern consensus. He is sometimes included in the list of the seven sages (the Saptarishis).Kanva had a son Medhatithi. Kanva is also mentioned in Mahabharata as the adoptive father of Shakuntala.

• Kanva (Karnesh) is also the name of a founder of a Vedic shakha of the Shukla Yajur Veda, and hence the name of that theological branch of Hinduism, the Kanva Shakha.
• Kanva (Karnesh) is also the name of several princes and founders of dynasties and several authors.
• The Kanvas (Karnesh) are the descendants of king Vasudeva Kanva (1st century BCE).
• The Kanvas are also a class of spirit, against whom hymn 2.25 of the Atharva Veda is used as a charm.

The Mahāvākyas (sing.: mahāvākyam, महावाक्यम्; plural: mahāvākyāni, महावाक्यानि) are "The Great Sayings" of the Upanishads, with mahā meaning great and vākya, a sentence. The Mahāvākyas are traditionally considered to be four in number, though actually five are prominent in the post-Vedic literature:

1. Tat Tvam Asi (तत् त्वम् असि) – literally translated as "That Thou Art" ("That is you" or "You are that"), appears in Chandogya Upanishad 6.8.7 of the Sama Veda, with tat in Ch.U. 6.8.7 referring to *sat, "the Existent," and contextually understood as "That's how [thus] you are," with tat in Ch.U. 6.12.3 referring to "the very nature of all existence as permeated by [the finest essence]."
2. Ahaṁ Brahmāsmi (अहं ब्रह्मास्मि) - "I am Brahman", or "I am absolute" (Brihadaranyaka Upanishad 1.4.10 of the Yajur Veda)
3. Prajñānaṁ Brahma (प्रज्ञानं ब्रह्म) - "Prajñāna is Brahman", or "Brahman is Prajñāna" (Aitareya Upanishad 3.3 of the Rig Veda)
4. Ayam Ātmā Brahma (अयम् आत्मा ब्रह्म) - "This Self (Atman) is Brahman" (Mandukya Upanishad 1.2 of the Atharva Veda)
5. Sarvaṃ Khalvidaṃ Brahma - "All this indeed is Brahman"(Chāndogya Upaniṣad 3.14.1)

Mahāvākyas are instrumental in Advaita Vedanta, as they are regarded as valid scriptural statements that reveal the self (ātmán), which appears as a separate individual existence (jīva), is, in essence, non-different (not two-ness) from Brahman, which, according to Advaita, is nirguna. In contrast, these statements are less prominent in most other Hindu traditions, which emphasize a qualified or dualistic relationship between the self and Brahman, whom they regard as saguna, often identified with Vishnu, Shiva, Shakti, etc.

Ushas (Vedic Sanskrit: उषस्, IAST: Uṣás, nominative singular उषास्) is a Vedic goddess of dawn in Hinduism. She repeatedly appears in the Rigvedic hymns, states David Kinsley, where she is "consistently identified with dawn, revealing herself with the daily coming of light to the world, driving away oppressive darkness, chasing away evil demons, rousing all life, setting all things in motion, sending everyone off to do their duties". She is the life of all living creatures, the impeller of action and breath, the foe of chaos and confusion, the auspicious arouser of cosmic and moral order called the Ṛta in Hinduism.

Ushas is the most exalted goddess in the Rig Veda, but not as important or central as the three male Vedic deities Agni, Soma, and Indra. She is on par with other major male Vedic deities. She is portrayed as a beautifully adorned young woman riding in a golden chariot or a hundred chariots, drawn by golden red horses or cows, on her path across the sky, making way for the Vedic sun god Surya, who is referred either as her husband or her son. Some of the most beautiful hymns in the Vedas are dedicated to her. Her sister is "Nisha" or Ratri, the deity of night.

Dharamshala (/ˈdɑːrəmʃɑːlə/, Hindi: [d̪ʱərmʃaːlaː]; also spelled Dharamsala) is a town in the Indian state of Himachal Pradesh. It serves as the winter capital of the state and the administrative headquarters of the Kangra district since 1855. The town also hosts the 14th Dalai Lama and the Tibetan government-in-exile. Dharamshala was a municipal council until 2015, when it was upgraded to a municipal corporation.

The town is located in the Kangra Valley, in the shadow of the Dhauladhar range of the Himalayas at an altitude of 1,457 metres (4,780 ft). References to Dharamshala and its surrounding areas are found in ancient Hindu scriptures such as Rig Veda and Mahabharata. The region was under Mughal influence before it was captured by the Sikh Empire in 1785. The East India Company captured the region for the British following the First Anglo-Sikh War of 1846, from when it became part of the British Indian province of the Punjab. Post Indian Independence in 1947, it remained as a small hill station. In 1960, the Central Tibetan Administration was moved to Dharamshala when the 14th Dalai Lama established the Tibetan administration-in-exile after he had to flee Tibet.

Vikramōrvaśīyam (Sanskrit: विक्रमोर्वशीयम्, lit. 'Ūrvaśī Won by Valour') is a five-act Sanskrit play by ancient Indian poet Kālidāsa, who lived in the 4th or 5th Century CE, on the Vedic love story of King Pururavas and an Apsarā (celestial nymph) named Ūrvaśī, known for her beauty.

As per the tradition, while the basic plot has taken elements from the sources such as the Samvāda Sūkta of the Rig Veda, Mahābhārata and others, Kālidāsa has made significant adaptations to make the presentation more appealing while establishing his prowess as a playwright.

Kamadeva (Sanskrit: कामदेव, IAST: Kāmadeva), also known as Kama, Manmatha, and Madana is the Hindu god of erotic love, carnal desire, attraction, pleasure and beauty, as well as the personification of the concept of kāma. He is depicted as a handsome young man decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. He often portrayed alongside his consort and female counterpart, Rati.

Kamadeva's origins are traced to the verses of the Rig Veda and Atharva Veda, although he is better known from the stories of the Puranas. The Atharva Veda regards Kamadeva as a powerful god, the wielder of the creative power of the universe, also describing him to have been "born at first, him neither the gods nor the fathers ever equaled".