Apsara in the context of "Vikramorvashiyam"

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⭐ Core Definition: Apsara

Apsaras (Sanskrit: अप्सरस्, IAST: Apsaras, Pali: अच्छरा, romanized: Accharā Khmer-Cambodia: អប្សរា) are a class of celestial beings in Hindu and Buddhist culture. They were originally a type of female spirit associated with clouds and water, but, later came to play the role of a "nymph" or "fairy". They figure prominently in the sculpture, dance, literature and paintings of many Indian and Southeast Asian cultures.

The apsaras are described as being beautiful, youthful and elegant, and are said to be able to change their shape at will; making anyone fall for their beauty. There are two types of apsaras—laukika (worldly) and daivika (divine). They are said to excel at dancing, and are often considered the wives of the gandharvas, the court musicians of Indra. The apsaras reside in the palaces of the gods and entertain them by dancing to the music of the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the Muses of ancient Greece. They are also renowned for seducing rishis in order to prevent them from attaining divine powers. Famous apsaras include Urvashi, Menaka, Rambha, Tilottama and Ghritachi.

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👉 Apsara in the context of Vikramorvashiyam

Vikramōrvaśīyam (Sanskrit: विक्रमोर्वशीयम्, lit.'Ūrvaśī Won by Valour') is a five-act Sanskrit play by ancient Indian poet Kālidāsa, who lived in the 4th or 5th Century CE, on the Vedic love story of King Pururavas and an Apsarā (celestial nymph) named Ūrvaśī, known for her beauty.

As per the tradition, while the basic plot has taken elements from the sources such as the Samvāda Sūkta of the Rig Veda, Mahābhārata and others, Kālidāsa has made significant adaptations to make the presentation more appealing while establishing his prowess as a playwright.

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Apsara in the context of Tara (Ramayana)

In the Hindu epic Ramayana, Tara (Sanskrit: तारा, Tārā, lit.'star') is the Queen of Kishkindha and the wife of the vanara (monkey) King Vali.

Tara is described as the daughter of the vanara physician Sushena in the Ramayana, and in later sources, as an apsara (celestial nymph) who rises from the churning of the milky ocean. She marries Vali and bears him a son named Angada. After Vali is presumed dead in a battle with a demon, his brother Sugriva becomes king , however, Vali returns and exiles his brother, accusing him of treachery.

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Apsara in the context of Menaka

Menaka (Sanskrit: मेनका IAST: Menakā) is a prominent apsara (celestial nymph) in Hindu mythology, celebrated as one of the most beautiful dancers in the court of Indra, the king of the gods. She is often portrayed as an archetypal seductress, frequently dispatched by the gods to disrupt the penance of sages whose growing spiritual power threatens the celestial order.

Menaka is best known for her role in the seduction of the sage Vishvamitra, a story recounted in various Hindu texts and classical Sanskrit literature. In this episode, the gods, fearing Vishvamitra's ascetic strength, send Menaka to tempt him. With her beauty and charm, she succeeds in captivating him, temporarily deviating him from his spiritual path. From this union, Menaka becomes the mother of Shakuntala, a celebrated heroine in classical literature.

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Apsara in the context of Gandharva marriage

A Gandharva marriage (Sanskrit: गान्धर्व विवाह, gāndharva vivāha, IPA: [gənd̪ʱərvə vɪvaːhə]) is one of the eight classical types of Hindu marriage. This ancient tradition from the Indian subcontinent was based on consensual acceptance between two people, with no rituals, witnesses or family participation. The marriage of Dushyanta and Shakuntala is a historically celebrated example of this class of marriage.

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Apsara in the context of Urvashi

Urvashi (Sanskrit: उर्वशी, IAST: Urvaśī) is the most prominent apsara mentioned in the Hindu scriptures like the Vedas, the epics Ramayana and Mahabharata, as well as the Puranas. She is regarded as the most beautiful of all the apsaras, and an expert dancer.

Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary Chandravansha, whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam.

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Apsara in the context of Svarga

Svarga (Sanskrit: स्वर्गः, lit.'abode of light', IAST: Svarga), also known as Swarga, Indraloka and Svargaloka, is the celestial abode of the devas in Hinduism. Svarga is one of the seven higher lokas (esoteric planes) in Hindu cosmology. Svarga is often translated as heaven, though it is regarded to be dissimilar to the concept of the Abrahamic Heaven.

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Apsara in the context of Asura (Buddhism)

An asura (Sanskrit and Pali: असुर) in Buddhism is a demigod or titan of the Kāmadhātu. They are said to live more pleasurable lives than humans, but are also in thrall to qualities such as wrath, pride, envy, and insincerity.

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