Reliquary in the context of "Corporal of Bolsena"

In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains or personal effects of a saint or other person preserved for the purpose of veneration as a tangible memorial. Relics are an important aspect of some forms of Buddhism, Christianity, Islam, Shamanism, and many other religions. Relic derives from the Latin reliquiae, meaning "remains", and a form of the Latin verb relinquere, to "leave behind, or abandon". A reliquary is a shrine that houses one or more religious relics.

The kings of the Lombards or reges Langobardorum (singular rex Langobardorum) were the monarchs of the Lombard people from the early 6th century until the Lombardic identity became lost in the 9th and 10th centuries. After 774, the kings were not Lombards, but Franks. From the 12th century, the votive crown and reliquary known as the Iron Crown (Corona Ferrea) retrospectively became a symbol of their rule, though it was never used by Lombard kings.

The primary sources for the Lombard kings before the Frankish conquest are the anonymous 7th-century Origo Gentis Langobardorum and the 8th-century Historia Langobardorum of Paul the Deacon. The earliest kings (the pre-Lethings) listed in the Origo are almost certainly legendary. They purportedly reigned during the Migration Period. The first ruler attested independently of Lombard tradition is Tato.

The Shrine of Saint Lachtin's Arm (known in Irish as Lámh Lachtaín) is an early 10th-century Irish arm-shrine type reliquary made of wood and metal shaped as an outstretched forearm and clenched fist. St. Lachtin's dates to between 1118 and 1121 and is associated with his church in the village of Stuake, Donoughmore, County Cork, but probably originates from Kilnamartyra, also in Cork. It consists of a yew-wood core lined with decorated bronze and silver plates. The wood at the hand is hollowed out to create a reliquary cavity which once held the arm bone of St. Lachtin (b. 526, County Cork) but is now empty. The circular cap at its base contains a large transparent gemstone and is inlayed with silver decorated with filigree.

The shrine is 39 cm high, 7 cm wide and 7 cm deep. Because the hand is clenched rather than, as is more usual for arm shrines, open as if in the act of blessing, it may have functioned as battle standard or talisman to protect or heal combatants. Saint Lachtin's Arm was rediscovered by antiquarians c. 1750, having been in the care of its hereditary keepers, the Healy family, for around 200 years. It was acquired that year from Donoughmore Church by the art collector Andrew Fountaine. Thereafter, it passed through various private and public collections and has been in the collection of the archaeology branch of the National Museum of Ireland (NMI), Dublin, since 1890.

 The Shrine of the Three Kings (German Dreikönigsschrein or Der Dreikönigenschrein), Tomb of the Three Kings, or Tomb of the Three Magi is a reliquary traditionally believed to contain the bones of the Biblical Magi, also known as the Three Kings or the Three Wise Men. This shrine is a large gilded and decorated triple sarcophagus situated above and behind the high altar of Cologne Cathedral in western Germany. Built approximately from 1180 to 1225, it is considered the high point of Mosan art by various historians and scholars, and ranks amongst the largest reliquary in the Western world.

The shrine has gone through periods of damage and restoration during the 16th century. Although the shrine has always been on display, it was not until the 19th century when the relics were unveiled to the public. The relics of the three kings were first exhibited to public display in the 12th century.

Worm, wurm or wyrm (Old English: wyrm; Old Norse: ormr; Old High German: wurm), meaning serpent, are archaic terms for dragons (Old English: draca; Old Norse: dreki/*draki; Old High German: trahho) in the wider Germanic mythology and folklore, in which they are often portrayed as large venomous snakes and hoarders of gold. Especially in later tales, however, they share many common features with other dragons in European mythology, such as having wings.

Prominent worms attested in medieval Germanic works include the dragon that killed Beowulf, the central dragon in the Völsung Cycle – Fáfnir, Nidhogg (Old Norse: Níðhǫggr), and the great world serpent, Jǫrmungandr, including subcategories such as lindworms and sea serpents.

The Trier Cathedral Treasury is a museum of Christian art and medieval art in Trier, Germany. The museum is owned by the Roman Catholic Diocese of Trier and is located inside the Cathedral of Trier. It contains some of the church's most valuable relics, reliquaries, liturgical vessels, ivories, manuscripts and other artistic objects. The history of the Trier church treasure goes back at least 800 years. In spite of heavy losses during the period of the Coalition Wars, it is one of the richest cathedral treasuries in Germany. With the cathedral it forms part of a UNESCO World Heritage Site.

The Cadaver Tomb of René of Chalon (French: Transi de René de Chalon, also known as the Memorial to the Heart of René de Chalon or The Skeleton) is a late Gothic period cadaver monument (transi) in the church of Saint-Étienne at Bar-le-Duc, in northeastern France. It consists of an altarpiece and a limestone statue of a putrefied and skinless corpse which stands upright and extends his left hand outwards. Completed sometime between 1544 and 1557, the majority of its construction is attributed to the French sculptor Ligier Richier. Other elements, including the coat of arms and funerary drapery, were added in the 16th and 18th centuries respectively.

The tomb dates from a period of societal anxiety over death, as plague, war and religious conflicts ravaged Europe. It was commissioned as the resting place of René of Chalon, Prince of Orange, son-in-law of Duke Antoine of Lorraine. René died at the age of 25 during the siege of St. Dizier on 15 July 1544, from a wound sustained in battle the previous day. Richier presents him as an écorché, with his skin and muscles decayed, leaving him reduced to a skeleton. This fulfilled his alleged deathbed wish, that his tomb depict his body as it would be three years after his death. His left arm is raised as if gesturing towards heaven. At one point, his heart was supposedly held in a reliquary, placed in the hand of the figure's raised arm. Unusually for contemporaneous objects of this type, his skeleton is standing, making it a "living corpse", an innovation that was to become highly influential. The tomb effigy is positioned above the carved marble and limestone altarpiece.