Chasse (casket) in the context of "Reliquary"

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⭐ Core Definition: Chasse (casket)

A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention, with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and decoration. From the sides there are therefore triangular "gable" areas.

The casket usually stands on straight stumpy feet, and there is a hinged opening to allow access, either one of the panels, but not on the front face, or the wooden bottom; there is usually a lock. The shape possibly developed from a similar shape of sarcophagus that goes back to Etruscan art, or from Early Medieval Insular art, where there are a number of house-shaped shrines, reliquaries or cumdachs ("book-shrines"), with similar shapes. The Monymusk Reliquary is typical of these, having four sloping panels above, so no "gables". A 13th-century example of the fully-sloping type is the chasse of Saint Exupère in Limoges enamel (see gallery of images, below). The word derives, via the French châsse, from the Latin capsa, meaning "box".

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👉 Chasse (casket) in the context of Reliquary

A reliquary (also referred to as a shrine, chasse, or phylactery) is a container for relics. A portable reliquary, or the room in which one is stored, may also be called a feretory.

Relics may be the purported or actual physical remains of saints, and may comprise bones, pieces of clothing, or some object associated with saints or with other religious figures. The authenticity of any given relic is often a matter of debate; for that reason, some churches require documentation of a relic's provenance.

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Chasse (casket) in the context of Vitreous enamel

Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".

Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as enamelled glass, or "painted glass", and on pottery it is called overglaze decoration, "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels".

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