Reception piece in the context of "Fête galante"

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⭐ Core Definition: Reception piece

In art, a reception piece is a work submitted by an artist to an academy for approval as part of the requirements for admission to membership.

The piece is normally representative of the artist's work, and the organization's judgement of its skill may or may not form part of the criteria for accepting a new entrant. The work itself is usually retained by the academy, and many academies have large and valuable collections acquired in this way. Alternative terms include diploma work at the Royal Academy in London (where some 18th and 19th century examples are on display), diploma piece, and in France at the Académie royale de peinture et de sculpture, tableau de réception or morceau de réception. The term masterpiece originated in the same way under the earlier system of guilds, including those for artists.

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👉 Reception piece in the context of Fête galante

Fête galante (French pronunciation: [fɛt ɡalɑ̃t], lit.'courtship party') is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the Embarkation for Cythera, now in the Louvre.

Watteau wanted recognition from the government-appointed Academy of Painting and Sculpture. The Academy upheld the hierarchy of genres, ranking scenes of everyday life and portraits, the paintings most desired by private patrons, as lower than morally educational paintings illustrating history paintings, including allegories and scenes from mythology.

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Reception piece in the context of Académie Royale de Peinture et de Sculpture

The Académie royale de peinture et de sculpture (French: [akademi ʁwajal pɛ̃tyʁ e skyltyʁ]; English: "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions.

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Reception piece in the context of The Embarkation for Cythera

The Embarkation for Cythera ("L'embarquement pour Cythère") is a painting by the French painter Jean-Antoine Watteau.

It is also known as Voyage to Cythera and Pilgrimage to the Isle of Cythera. Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. The painting is now in the Louvre, Paris. A second version of the work, sometimes called Pilgrimage to Cythera to distinguish it, was painted by Watteau about 1718 or 1719 and is in the Charlottenburg Palace, Berlin. These elaborated a much simpler depiction painted by Watteau in 1709 or 1710, which is now in Frankfurt.

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