Fête champêtre in the context of "Fête galante"

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👉 Fête champêtre in the context of Fête galante

Fête galante (French pronunciation: [fɛt ɡalɑ̃t], lit.'courtship party') is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the Embarkation for Cythera, now in the Louvre.

Watteau wanted recognition from the government-appointed Academy of Painting and Sculpture. The Academy upheld the hierarchy of genres, ranking scenes of everyday life and portraits, the paintings most desired by private patrons, as lower than morally educational paintings illustrating history paintings, including allegories and scenes from mythology.

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Fête champêtre in the context of Jean-Pierre Norblin de La Gourdaine

Jean-Pierre Norblin de La Gourdaine (Polish: Jan Piotr Norblin; 15 July 1745 – 23 February 1830) was a French painter, draughtsman, engraver and caricaturist. Born in France, from 1774 to 1796 he resided in Poland.

He is considered one of the most important painters of the Enlightenment in Poland. He achieved great success in Poland. Given many commissions from some of the most notable families of the country, he stayed there for many years. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fêtes galantes and fêtes champêtres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish–Lithuanian Commonwealth.

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