Profanity in the context of "Martin Scorsese"

Formulaic language (previously known as automatic speech or embolalia) is a linguistic term for verbal expressions that are fixed in form, often non-literal in meaning, with attitudinal nuances, and closely related to communicative-pragmatic context.

Along with idioms, expletives, and proverbs, formulaic language includes pause fillers (e.g., "Like", "Er", or "Uhm") and conversational speech formulas (e.g., "You've got to be kidding", "Excuse me?", or "Hang on a minute").

Public morality refers to moral and ethical standards enforced in a society, by law or police work or social pressure, and applied to public life, to the content of the media, and to conduct in public places.

Public morality often means regulation of sexual matters, including prostitution and homosexuality, but also matters of dress and nudity, pornography, acceptability in social terms of cohabitation before marriage, and the protection of children. It is a main justification for censorship; it can lead to campaigns against profanity, and so be at odds with freedom of speech. Gambling is generally controlled: casinos have been considered much more of a threat than large-scale lotteries or football pools. Public drunkenness is quite unacceptable in some societies, and legal control of consumption of alcohol is often justified in terms of public morality, just as much as for medical reasons or to limit alcohol-related crime. Drug legislation, historically speaking, has sometimes followed on similar reasoning. Abortion is sometimes treated as an aspect of public morality, even if it is legally defined, regulated by medical professionals, and almost entirely hidden from public view. AIDS as a health policy issue is linked to public morality in a complicated manner. A famous remark on male homosexuality of Mrs Patrick Campbell, that she did not care what people did as long as they "didn't frighten the horses", shows that in some sense even high tolerance expects a public limitation on behaviour. At the opposite extreme a theocracy may equate public morality with religious instruction, and give both the equal force of law.

Shit is an English-language profanity. As a noun, it refers to fecal matter, and as a verb it means to defecate; in the plural ("the shits"), it means diarrhea. Shite is a common variant in British and Irish English. As a slang term, shit has many meanings, including: nonsense, foolishness, something of little value or quality, trivial and usually boastful or inaccurate talk or a contemptible person. It could also be used to refer to any other noun in general or as an expression of annoyance, concern, surprise or anger.

Quentin Jerome Tarantino (/ˌtærənˈtiːnoʊ/ TARR-ən-TEE-noh; born March 27, 1963) is an American filmmaker, actor, and author. His films are characterized by graphic violence, extended dialogue often featuring much profanity, and references to popular culture. His work has earned a cult following alongside critical and commercial success; he has been named by some as the most influential director of his generation and has received numerous awards and nominations, including two Academy Awards, two BAFTA Awards, and four Golden Globe Awards. His films have grossed more than $1.9 billion worldwide.

Tarantino began his career with the independent crime film Reservoir Dogs (1992). His second film, the crime comedy-drama Pulp Fiction (1994), was a major success and won numerous awards, including the Cannes Film Festival's Palme d'Or and the Academy Award for Best Original Screenplay. He next wrote and starred in the action horror film From Dusk till Dawn (1996). His third film as director, Jackie Brown (1997), paid homage to blaxploitation films.

Erotic talk, also known as dirty talk, love talk, sexy talk, talking dirty, or naughty talk, is the practice of using explicit word imagery to heighten sexual excitement before and during (or instead of) physical sexual activity. It is commonly a part of foreplay, and can include vivid erotic descriptions, sexual humor, sexual commands and rude words. It may be whispered into a partner's ear, spoken over a telephone, or put into text. The intention of erotic talk is generally to generate excitement between one, both or all parties engaged in a sexual interaction, or even to induce orgasm.

When lovers are apart from one another and physical intimacy is impossible, it can be an important aspect of virtual sex, particularly phone sex and cybersex. Additionally, love talk is more sexual in nature than pillow talk and tends to occur preceding or during rather than following lovemaking.

Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as the Hays Code) in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration. Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

As a result, some films in the late 1920s and early 1930s depicted or implied sexual innuendo, romantic and sexual relationships between white and black people, mild profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence, and homosexuality. Nefarious characters were seen to profit from their deeds, in some cases without significant repercussions. For example, gangsters in films such as The Public Enemy, Little Caesar, and Scarface were seen by many as heroic rather than evil. Strong female characters were ubiquitous in such pre-Code films as Female, Baby Face and Red-Headed Woman, among many others, which featured independent, sexually liberated women. Many of Hollywood's biggest stars, such as Clark Gable, Bette Davis, James Cagney, Barbara Stanwyck, Joan Blondell, and Edward G. Robinson, got their start in the era. Other stars who excelled during this period, however, like Ruth Chatterton and Warren William (sometimes referred to as the "King of Pre-Code", who died in 1948), would be largely forgotten by the general public within a generation.