In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen—"freezing" the action. This can be done in the content itself, by printing (on film) or recording (on video) multiple copies of the same source frame. This produces a static shot that resembles a still photograph.
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👉 Freeze-frame shot in the context of Martin Scorsese
Martin Charles Scorsese (/skɔːrˈsɛsi/ skor-SESS-ee, Italian: [skorˈseːze, -se]; born November 17, 1942) is an American filmmaker. One of the major figures of the New Hollywood era, he has received many accolades, including an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, and three Golden Globe Awards. He has been honored with the AFI Life Achievement Award in 1997, the Film Society of Lincoln Center tribute in 1998, the Kennedy Center Honor in 2007, the Cecil B. DeMille Award in 2010, and the BAFTA Fellowship in 2012. Four of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".
Scorsese received a Master of Arts degree from New York University's Steinhardt School of Culture, Education, and Human Development in 1968. His directorial debut, Who's That Knocking at My Door (1967), was accepted into the Chicago Film Festival. In the 1970s and 1980s, Scorsese's films, much influenced by his Italian-American background and upbringing in New York City, centered on macho-posturing men and explore crime, machismo, nihilism and Catholic concepts of guilt and redemption. His trademark styles of extensive use of slow motion and freeze frames, voice-over narration, graphic depictions of extreme violence and liberal use of profanity were first shown in Mean Streets (1973).
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Freeze-frame shot in the context of Charulata
Charulata (Bengali: চারুলতা, [t͡ʃaɾulɔt̪a] ; also known as The Lonely Wife) is a 1964 Indian drama film written and directed by Satyajit Ray. Based on Rabindranath Tagore's novella Nastanirh, it stars Soumitra Chatterjee, Madhabi Mukherjee, and Shailen Mukherjee. The film is widely regarded as one of Ray’s finest works.
Both the opening and closing scenes of the film have received critical acclaim. The first scene, with minimal dialogue, depicts Charu’s loneliness as she observes the outside world through binoculars. In the final scene, as Charu and her husband are about to hold hands, the screen freezes—a technique praised as a masterful use of the freeze frame in cinema.