Printing in the context of Magnify

Ancient Chinese scientists and engineers made significant scientific innovations, findings and technological advances across various scientific disciplines including the natural sciences, engineering, medicine, military technology, mathematics, geology and astronomy.

Among the earliest inventions were the abacus, the sundial, and the Kongming lantern. The Four Great Inventions – the compass, gunpowder, papermaking, and printing – were among the most important technological advances, only known to Europe by the end of the Middle Ages 1000 years later. The Tang dynasty (AD 618–906) in particular was a time of great innovation. A good deal of exchange occurred between Western and Chinese discoveries up to the Qing dynasty.

A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.

In Germany, around 1440, the goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by hand-printing and a few by hand-copying. Gutenberg's newly devised hand mould made possible the precise and rapid creation of metal movable type in large quantities. His two inventions, the hand mould and the movable-type printing press, together drastically reduced the cost of printing books and other documents in Europe, particularly for shorter print runs.

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (a printer); however, there is some cross-over between traditional and digital printmaking, including risograph.

Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates and related processes are discussed below.

Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill. Thicker inks, in paste form, are used extensively in letterpress and lithographic printing.

Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescents, and other materials. The components of inks serve multiple purposes; the ink's carrier, colorants, and other additives affect the flow and thickness of the ink and its dry appearance.

The history of books begins with the invention of writing, as well as other inventions such as paper and printing; this history continues all the way to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what we came to call "books" in today's society, and instead begins with what are called either tablets, scrolls, or sheets of papyrus. The current format of modern novels, with separate sheets fastened together to form a pamphlet rather than a scroll, is called a codex. After this invention, hand-bound, expensive, and elaborate manuscripts began to appear in codex form. This gave way to press-printed volumes and eventually led to the mass-market printed volumes that are prevalent today. Contemporary books may even start to have less of a physical presence with the invention of the e-book. The book has also become more accessible to the disabled with the invention of Braille as well as audiobooks.

The earliest forms of writing began with etching into stone slabs, evolving over time to include palm leaves and papyrus in ancient times. Parchment and paper later emerged as important substitutes for bookmaking, as they increased durability and accessibility. Ancient books were made from a variety of materials depending on the region's available resources and social practices. For instance, in the Neolithic Middle East, the cuneiform tablet was part of a larger clay-based toolkit used for bureaucracy and control. In contrast, while animal skin was never used to write books in eastern and southern Asia, it became a mainstay for prestige manuscripts in the Middle East, Europe, and the Americas. Similarly, papyrus and even paper were used in different regions at various times, reflecting local resource availability and cultural needs. Across regions like China, the Middle East, Europe, and South Asia, diverse methods of book production evolved. The Middle Ages saw the rise of illuminated manuscripts, intricately blending text and imagery, particularly during the Mughal era in South Asia under the patronage of rulers like Akbar and Shah Jahan. Prior to the invention of the printing press, made famous by the Gutenberg Bible, each text was a unique, handcrafted, valuable article, personalized through the design features incorporated by the scribe, owner, bookbinder, and illustrator.

During the Renaissance, great advances occurred in geography, astronomy, chemistry, physics, mathematics, manufacturing, anatomy and engineering. The collection of ancient scientific texts began in earnest at the start of the 15th century and continued up to the Fall of Constantinople in 1453, and the invention of printing allowed a faster propagation of new ideas. Nevertheless, some have seen the Renaissance, at least in its initial period, as one of scientific backwardness. Historians like George Sarton and Lynn Thorndike criticized how the Renaissance affected science, arguing that progress was slowed for some amount of time. Humanists favored human-centered subjects like politics and history over study of natural philosophy or applied mathematics. More recently, however, scholars have acknowledged the positive influence of the Renaissance on mathematics and science, pointing to factors like the rediscovery of lost or obscure texts and the increased emphasis on the study of language and the correct reading of texts.

Marie Boas Hall coined the term Scientific Renaissance to designate the early phase of the Scientific Revolution, 1450–1630. More recently, Peter Dear has argued for a two-phase model of early modern science: a Scientific Renaissance of the 15th and 16th centuries, focused on the restoration of the natural knowledge of the ancients; and a Scientific Revolution of the 17th century, when scientists shifted from recovery to innovation.

Movable type (US English; moveable type in British English) is the system and technology of printing and typography that uses movable components to reproduce the elements of a document (usually individual alphanumeric characters or punctuation marks) usually on the medium of paper.

Lithography (from Ancient Greek λίθος (líthos) 'stone' and γράφω (gráphō) 'to write') is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

Traditionally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plate. The stone was then treated with a mixture of weak acid and gum arabic ("etch") that made the parts of the stone's surface that were not protected by the grease more hydrophilic (water attracting). For printing, the stone was first moistened. The water adhered only to the etched, hydrophilic areas, making them even more oil-repellant. An oil-based ink was then applied, and would stick only to the original drawing. The ink would finally be transferred to a blank sheet of paper, producing a printed page. This traditional technique is still used for fine art printmaking.

A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.

Before the arrival of prints, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations.

Johannes Gensfleisch zur Laden zum Gutenberg (c. 1393 – 1406 – 3 February 1468) was a German inventor and craftsman who invented the movable-type printing press. Though movable type was already in use in East Asia, Gutenberg's invention of the printing press enabled a much faster rate of printing. The printing press later spread across the world, and led to an information revolution and the unprecedented mass-spread of literature throughout Europe. It had a profound impact on the development of the Renaissance, Reformation, and humanist movements.

Gutenberg's many contributions to printing include the invention of a process for mass-producing movable type; the use of oil-based ink for printing books; adjustable molds; mechanical movable type; and the invention of a wooden printing press similar to the agricultural screw presses of the period. Gutenberg's method for making type is traditionally considered to have included a type metal alloy and a hand mould for casting type. The alloy was a mixture of lead, tin, and antimony that melted at a relatively low temperature for faster and more economical casting, cast well, and created a durable type. His major work, the Gutenberg Bible, was the first printed version of the Bible and has been acclaimed for its high aesthetic and technical quality.

Printing in East Asia originated in China, evolving from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. A type of printing called mechanical woodblock printing on paper started in China during the 7th century in the Tang dynasty. The practice of woodblock printing soon spread throughout East Asia. As recorded in 1088 by Shen Kuo in his Dream Pool Essays, the Chinese artisan Bi Sheng invented an early form of movable type using clay and wood pieces arranged and organized for written Chinese characters. The earliest printed paper money with movable metal type to print the identifying code of the money was made in 1161 during the Song dynasty. In 1193, a book documented instructions on how to use the copper movable type. The use of metal movable type spread to Korea by the 13th century during the Goryeo period, with the world's oldest surviving printed book using moveable metal type being from 1377 in Korea.

From the 17th century to the 19th century in Japan, woodblock prints called ukiyo-e were mass-produced, which influenced European Japonisme and the Impressionists. The printing press became known in East Asia by the 16th century but was not adopted. Centuries later, mechanical printing presses combining some European influences were adopted, but then was replaced with newer laser printing systems designed in the 20th and 21st centuries.

Printing emerged as early as the 4th millennium BCE in the form of cylinder seals used by the Proto-Elamite and Sumerian civilizations to certify documents written on clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in Tang China by the 7th century, to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented in China during the 11th century by the Song dynasty artisan Bi Sheng, but it received limited use compared to woodblock printing. However, the use of copper movable types was documented in a Song-era book from 1193, and the earliest printed paper money using movable metal type to print the identifying codes were made in 1161. The technology also spread outside China, with the oldest extant printed book using metal movable type being the Jikji, printed in Korea in 1377 during the Goryeo era.

Woodblock printing was also used in Europe until the mid-15th century. Late medieval German inventor Johannes Gutenberg created the first printing press based on previously known mechanical presses and a process for mass-producing metal type. By the end of the 15th century, his invention and widescale circulation of the Gutenberg Bible became responsible for a burgeoning economical book publishing industry spreading globally across Renaissance Europe and eventually among the colonial publishers and printers that emerged in the British American colonies. This industry enabled the communication of ideas and the sharing of knowledge on an unprecedented scale, leading to the global spread of the printing press during the early modern period. Alongside the development of text printing, new and lower-cost methods of image reproduction were developed, including lithography, screen printing and photocopying.

A book is a written work of substantial length created by one or more authors. They can be distributed in various forms such as printed books, audiobooks, and electronic books (ebooks). Books are broadly classified into fiction, containing invented narrative or other imaginary content; and non-fiction, containing content intended as factual truth.

The term may also refer to the physical or electronic object containing such a work. Modern books are typically printed in a codex format, composed of many pages bound together and protected by a cover. Before the wide adoption of the modern printing press, codices were used to create handwritten manuscripts. Older writing mediums include scrolls and clay tablets.

Intaglio (/ɪnˈtæli.oʊ, -ˈtɑːli-/ in-TAL-ee-oh, -⁠TAH-lee-; Italian: [inˈtaʎʎo]) is the group of printing and printmaking techniques in which an image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.

Normally copper, or in recent times zinc, sheets called plates are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates.

An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition (mostly by Old Masters). The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term.

The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned with the artistic, historical and social aspects of the subject; the article on printmaking summarizes the techniques used in making old master prints, from a modern perspective.

Paper size refers to standardized dimensions for sheets of paper used globally in stationery, printing, and technical drawing. Most countries adhere to the ISO 216 standard, which includes the widely recognized A series (including A4 paper), defined by a consistent aspect ratio of √2. The system, first proposed in the 18th century and formalized in 1975, allows scaling between sizes without distortion. Regional variations exist, such as the North American paper sizes (e.g., Letter, Legal, and Ledger) which are governed by the ANSI and are used in North America and parts of Central and South America.

The standardization of paper sizes emerged from practical needs for efficiency. The ISO 216 system originated in late-18th-century Germany as DIN 476, later adopted internationally for its mathematical precision. The origins of North American sizes are lost in tradition and not well documented, although the Letter size (8.5 in × 11 in (216 mm × 279 mm)) became dominant in the US and Canada due to historical trade practices and governmental adoption in the 20th century. Other historical systems, such as the British Foolscap and Imperial sizes, have largely been phased out in favour of ISO or ANSI standards.

Gum arabic (gum acacia, gum sudani, Senegal gum and by other names) is a tree gum exuded by two species of Acacia sensu lato: Senegalia senegal, and Vachellia seyal. However, the term "gum arabic" does not indicate a particular botanical source. The gum is harvested commercially from wild trees, mostly in Sudan (about 70% of the global supply) and throughout the Sahel, from Senegal to Somalia. The name "gum Arabic" (al-samgh al-'arabi) was used in the Middle East at least as early as the 9th century. Gum arabic first found its way to Europe via Arabic ports and retained its name of origin.

Gum arabic is a complex mixture of glycoproteins and polysaccharides, predominantly polymers of arabinose and galactose. It is soluble in water, edible, and used primarily in the food industry and soft drink industry as a stabilizer, with E number E414 (I414 in the US). Gum arabic is a key ingredient in traditional lithography and is used in printing, paints, glues, cosmetics, and various industrial applications, including viscosity control in inks and in textile industries.

A colourant/colour additive (British spelling) or colorant/color additive (American spelling) is a substance that is added or applied in order to change the colour of a material or surface. Colourants can be used for many purposes including printing, painting, and for colouring many types of materials such as foods and plastics. Colourants work by absorbing varying amounts of light at different wavelengths (or frequencies) of its spectrum, transmitting (if translucent) or reflecting the remaining light in straight lines or scattered.

Most colourants can be classified as dyes or pigments, or containing some combination of these. Typical dyes are formulated as solutions, while pigments are made up of solid particles suspended and are generally suspended in a vehicle (e.g., linseed oil). The colour a colourant imparts to a substance is mediated by other ingredients it is mixed with such as binders and fillers are added, for example in paints and inks. In addition, some colourants impart colour through reactions with other substances.