Richard the Fearless in the context of "Emma of Normandy"

⭐ In the context of Emma of Normandy’s life, Richard the Fearless is considered…

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⭐ Core Definition: Richard the Fearless

Richard I (28 August 932 – 20 November 996), also known as Richard the Fearless (French: Richard Sans-Peur; Old Norse: Jarl Rikard), was the count of Rouen from 942 to 996. Dudo of Saint-Quentin, whom Richard commissioned to write the "De moribus et actis primorum Normanniae ducum" (Latin, "On the Customs and Deeds of the First Dukes of Normandy"), called him a dux. However, this use of the word may have been in the context of Richard's renowned leadership in war, and not as a reference to a title of nobility. Richard either introduced feudalism into Normandy or he greatly expanded it. By the end of his reign, the most important Norman landholders held their lands in feudal tenure.

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👉 Richard the Fearless in the context of Emma of Normandy

Emma of Normandy (referred to as Ælfgifu in royal documents; c. 984 – 6 March 1052) was a Norman-born noblewoman who became the English, Danish, and Norwegian Queen through her marriages to the Anglo-Saxon King Æthelred the Unready and the Danish King Cnut the Great. A daughter of the Norman ruler Richard the Fearless and Gunnor, she was Queen of England during her marriage to King Æthelred from 1002 to 1016, except during a brief interruption in 1013–14 when the Danish King Sweyn Forkbeard occupied the English throne. Æthelred died in 1016, and Emma married Sweyn's son Cnut. As Cnut's wife, she was Queen of England from their marriage in 1017, Queen of Denmark from 1018, and Queen of Norway from 1028 until Cnut died in 1035.

After Cnut's death, Emma continued to participate in politics during the reigns of her sons by each husband, Harthacnut and Edward the Confessor. In 1035 when her second husband Cnut died and was succeeded by their son Harthacnut, who was in Denmark at the time, Emma was designated to act as his regent until his return, which she did in rivalry with Harold Harefoot. Emma is the central figure within the Encomium Emmae Reginae, a critical source for the history of early-11th-century English politics. As Catherine Karkov notes, Emma is one of the most visually represented early medieval queens.

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