Lithographic in the context of Printing


Lithographic in the context of Printing

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⭐ Core Definition: Lithographic

Lithography (from Ancient Greek λίθος (líthos) 'stone' and γράφω (gráphō) 'to write') is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

Traditionally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plate. The stone was then treated with a mixture of weak acid and gum arabic ("etch") that made the parts of the stone's surface that were not protected by the grease more hydrophilic (water attracting). For printing, the stone was first moistened. The water adhered only to the etched, hydrophilic areas, making them even more oil-repellant. An oil-based ink was then applied, and would stick only to the original drawing. The ink would finally be transferred to a blank sheet of paper, producing a printed page. This traditional technique is still used for fine art printmaking.

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Lithographic in the context of Ink

Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill. Thicker inks, in paste form, are used extensively in letterpress and lithographic printing.

Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescents, and other materials. The components of inks serve multiple purposes; the ink's carrier, colorants, and other additives affect the flow and thickness of the ink and its dry appearance.

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Lithographic in the context of Kunstformen der Natur

Kunstformen der Natur (known in English as Art Forms in Nature) is a book of lithographic and halftone prints by German biologist Ernst Haeckel.

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Lithographic in the context of Beat the Whites with the Red Wedge

Beat the Whites with the Red Wedge (Russian: Клином красным бей белых!, Klinom krasnym bey belykh!) is a 1919 lithographic Bolshevik propaganda poster by El Lissitzky. In the poster, the intrusive red wedge symbolizes the Bolsheviks, who are penetrating and defeating their opponents, the White movement, during the Russian Civil War.

The image gained popularity in the West upon Lissitzky's migration to Germany in 1921. It is considered symbolic of the Russian Civil War in Western publications, and is often used in album art and advertisements.It is also used by left-wing political and activist groups in Europe, alongside the anti-fascist red triangle, a reclaimed symbol from Nazi Germany's persecution of left-wing political groups in Germany and German-occupied Europe.

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