Pre-Raphaelite in the context of "Julia Stephen"

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⭐ Core Definition: Pre-Raphaelite

The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists and poets of the time, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones and John William Waterhouse.

The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind". The group associated their work with John Ruskin, an English critic whose influences were driven by his religious background. Christian themes were abundant.

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👉 Pre-Raphaelite in the context of Julia Stephen

Julia Prinsep Stephen (née Jackson; formerly Duckworth; 7 February 1846 – 5 May 1895) was an English Pre-Raphaelite model and philanthropist. She was the wife of the biographer Leslie Stephen and mother of Virginia Woolf and Vanessa Bell, members of the Bloomsbury Group.

Julia Prinsep Jackson was born in Calcutta to an Anglo-Indian family, and when she was two her mother and her two sisters moved back to England. She became the favourite model of her aunt, the celebrated photographer Julia Margaret Cameron, who made more than 50 portraits of her. Through another maternal aunt, she became a frequent visitor at Little Holland House, then home to an important literary and artistic circle, and came to the attention of a number of Pre-Raphaelite painters who portrayed her in their work.

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Pre-Raphaelite in the context of John Collier (painter)

John Maler Collier OBE ROI RP (/ˈkɒliər/; 27 January 1850 – 11 April 1934) was an English painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.

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Pre-Raphaelite in the context of William Morris

William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he campaigned for socialism in fin de siècle Great Britain.

Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying classics at Oxford University, where he joined the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists and poets such as Dante Gabriel Rossetti, Algernon Charles Swinburne, and Edward Burne-Jones, as well as with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded the Morris, Marshall, Faulkner & Co. decorative arts firm with Burne-Jones, Rossetti, Webb, and others, which became highly fashionable and much in demand. The firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, he assumed total control of the company, which was renamed Morris & Co.

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Pre-Raphaelite in the context of James Campbell (artist)

James Campbell (Liverpool, 1828 – Birkenhead, 1893) was an English artist, part of a group from Liverpool, who were influenced by the Pre-Raphaelite style. He studied briefly at the Liverpool Academy and then moved on to the Royal Academy Schools in 1851.

His pictures focused on the details of lower-middle class and working class life in his native Liverpool, with works such as Waiting for Legal Advice (1857) which drew on his first hand experience as son of an insurance clerk. The Walker Art Gallery describes him as "the most Dickensian of all the Pre-Raphaelites."

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Pre-Raphaelite in the context of Danaïdes

In Greek mythology, the Danaïdes (/dəˈn.ɪdz/; Greek: Δαναΐδες), also Danaides or Danaids, were the fifty daughters of Danaus, king of Libya. In the most common version of the myth, the daughters were forced to marry the sons of Danaus' brother Aegyptus. In retaliation, Danaus commanded them to kill their husbands on their wedding night, and all but one, Hypermnestra, obeyed. The Danaids were then condemned to spend eternity carrying water in a sieve or perforated jug.

The myth of the Danaids is found in numerous written accounts from antiquity, such as in the writings of Apollodorus, Pindar, and Pausanius. The names of the Danaids are inscribed in lists from Apollodorus and Hyginus, though they differ greatly.

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Pre-Raphaelite in the context of Medievalism

Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture. Since the 17th century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism, the Gothic Revival, the Pre-Raphaelite and Arts and Crafts movements, and neo-medievalism (a term often used interchangeably with medievalism). Historians have attempted to conceptualize the history of non-European countries in terms of medievalisms, but the approach has been controversial among scholars of Latin America, Africa, and Asia.

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Pre-Raphaelite in the context of Coptologist

Coptology is the scientific study of the Coptic people.

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Pre-Raphaelite in the context of Philip Burne-Jones

Sir Philip William Burne-Jones, 2nd Baronet (1 October 1861 – 21 June 1926) was a Victorian Era British aristocrat, whose life and professional career as a painter spanned into the Edwardian. He was the first child of more famed British Pre-Raphaelite artist Sir Edward Burne-Jones and his wife Georgiana Macdonald, and a cousin of both author Rudyard Kipling and prime minister Stanley Baldwin. He produced more than 60 paintings, including portraits, landscapes, and poetic fantasies.

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