John Everett Millais in the context of "Pre-Raphaelite"

Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values (sometimes through morals). Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.

The Boyhood of Raleigh is an 1870 painting by John Everett Millais in the collection of the Tate Gallery. In the painting, Millais depicts famed Elizabethan-era explorer Walter Raleigh and his brother on the Devonshire coast listening to a Genoese sailor pointing out to sea and telling the pair of "tales of wonder on sea and land".

Inspired by an essay written by historian James Anthony Froude, the painting was exhibited at the Royal Academy in 1871. Quickly receiving acclaim, it went on to be the subject of parody by numerous 20th century political cartoons and album covers.

The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists and poets of the time, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones and John William Waterhouse.

The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind". The group associated their work with John Ruskin, an English critic whose influences were driven by his religious background. Christian themes were abundant.

Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens. It catapulted the previously obscure Pre-Raphaelite Brotherhood to notoriety and was a major contributor to the debate about Realism in the arts. It is now in Tate Britain in London.

Ophelia is an 1851–52 painting by British artist John Everett Millais in the collection of Tate Britain, London. It depicts the young Danish noblewoman Ophelia in William Shakespeare's play Hamlet, who due to Hamlet's actions, loses her sanity and drowns.

The painting received mixed responses when first exhibited at the Royal Academy of Arts in London, but is today widely regarded as one of the most important mid-nineteenth-century works, and is renowned for its beauty and natural landscape. The work has influenced artists such as John William Waterhouse, Peter Blake, Ed Ruscha and Friedrich Heyser.

Gladstonian liberalism or Gladstonianism is a political doctrine named after the British Victorian Prime Minister and Liberal Party leader William Ewart Gladstone. Gladstonian liberalism consisted of limited government expenditure and low taxation whilst making sure government had balanced budgets and the classical liberal stress on self-help and freedom of choice. Gladstonian liberalism also emphasised free trade, opposed government intervention in the economy and supported freedom and liberty as moral ideals. It is referred to as laissez-faire or classical liberalism in the United Kingdom and is often compared to Thatcherism.

Gladstonian financial rectitude had a partial lasting impact on British politics and the historian John Vincent contends that under Lord Salisbury's premiership he "left Britain's low tax, low cost, low growth economy, with its Gladstonian finance and its free trade dogmas, and no conscript army, exactly as he had found it...Salisbury reigned, but Gladstone ruled". In the early 20th century the Liberal Party began to move away from Gladstonian liberalism and instead developed new policies based on social liberalism (or what Gladstone called "constructionism"). The Liberal government of 1905–1914 is noted for its social reforms and these included old age pensions and National Insurance. Taxation and public expenditure was also increased and New Liberal ideas led to David Lloyd George's People's Budget of 1909–1910.

Ransom refers to the practice of holding a prisoner or item to extort money or property to secure their release. It also refers to the sum of money paid by the other party to secure a captive's freedom.

When ransom means "payment", the word comes via Old French rançon from Latin redemptio, 'buying back'; compare "redemption".

"Mariana" is a poem by Alfred, Lord Tennyson, published in 1830. The poem follows a common theme in much of Tennyson's work—that of despondent isolation. The subject of "Mariana" is a woman who continuously laments her lack of connection with society. The isolation defines her existence, and her longing for a connection leaves her wishing for death at the end of every stanza. The premise of "Mariana" originates in William Shakespeare's Measure for Measure, but the poem ends before Mariana's lover returns. Tennyson's version was adapted by others, including John Everett Millais and Elizabeth Gaskell, for use in their own works. The poem was well received by critics, and it is described by critics as an example of Tennyson's skill at poetry.

Tennyson wrote "Mariana" in 1830 and printed it within his early collection Poems, Chiefly Lyrical. Previously, he contributed poems to the work Poems by Two Brothers (1827), where his early poems dealing with isolation and memory can be found. The theme was continued in the later collection, with poems like "Mariana", "Ode to Memory", and others representing the earlier poems.