The following is a list of notable English and British painters (in chronological order).
⭐ Core Definition: English painter
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👉 English painter in the context of John Everett Millais
Sir John Everett Millais, 1st Baronet PRA (UK: /ˈmɪleɪ/ MIL-ay, US: /mɪˈleɪ/ mil-AY; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–1852.
By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present.
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English painter in the context of John William Waterhouse
John William Waterhouse RA (baptised 6 April 1849 – 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.
Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art Schools. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats.
English painter in the context of Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter who specialised in portraits. The art critic John Russell called him one of the major European painters of the 18th century, while Lucy Peltz says he was "the leading portrait artist of the 18th-century and arguably one of the greatest artists in the history of art." He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769. He has been referred to as the 'master who revolutionised British Art.'
Reynolds had a famously prolific studio that produced over 2,000 paintings during his lifetime. Ellis Waterhouse estimated those works the painter did ‘think worthy’ at ‘hardly less than a hundred paintings which one would like to take into consideration, either for their success, their originality, or their influence.' Of these, Portrait of Omai is probably his best known work and has been described by Simon Schama as "one of the greatest things British art has ever produced [and] one of the all time, timeless masterpieces that painting can produce." Waterhouse considered The Marlborough Family as 'the most monumental achievement of British portraiture' and that 'Reynolds' genius came to full flower in the diversity and geniality he was able to give to his full-length portraits' like Portrait of Philip Gell and Portrait of the Earl of Carlisle.
English painter in the context of William Holman Hunt
William Holman Hunt OM (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works.