Popeye in the context of "Comic strips"

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⭐ Core Definition: Popeye

Popeye the Sailor Man is a cartoon character created by Elzie Crisler Segar, first appearing on January 17, 1929, in the daily King Features comic strip Thimble Theatre. The strip was in its tenth year when Popeye made his debut, but the one-eyed sailor quickly became the lead character, and Thimble Theatre became one of King Features' most popular properties during the early 1930s. Popeye became the suitor of longtime Thimble Theatre star Olive Oyl, and Segar introduced new supporting characters such as adopted son Swee'Pea and friend J. Wellington Wimpy, as well as foes like the Sea Hag and Bluto.

Following Segar's death in 1938, Thimble Theatre (later renamed Popeye) was continued by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip continues to appear in first-run installments on Sundays, written and drawn by R. K. Milholland. The daily strips are reprints of old Sagendorf stories. In 1933, Max Fleischer adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and Fleischer Studios, which later became Paramount's own Famous Studios, continued production through 1957. Cartoons produced during World War II included Allied propaganda, as was common among cartoons of the time. These cartoon shorts are now owned by Turner Entertainment and distributed by its sister company Warner Bros.

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In this Dossier

Popeye in the context of Comic strip

A comic strip (also known as a strip cartoon) is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.

Most strips are written and drawn by a comics artist, known as a cartoonist. As the word "comic" implies, strips are frequently humorous but may also be dramatic or instructional. Examples of gag-a-day strips are Blondie, Bringing Up Father, Marmaduke, and Pearls Before Swine. In the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories, as seen in Popeye, Captain Easy, Buck Rogers, Tarzan, and Terry and the Pirates. In the 1940s, soap-opera-continuity strips such as Judge Parker and Mary Worth gained popularity. Because "comic" strips are not always funny, cartoonist Will Eisner has suggested that sequential art would be a better genre-neutral name.

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Popeye in the context of Mario

Mario (/ˈmɑːri, ˈmæri/ ; Japanese: マリオ) is a character created by Japanese video game designer Shigeru Miyamoto. He is the star of the Mario franchise, a recurring character in the Donkey Kong franchise, and the mascot of their owner, the Japanese company Nintendo. Mario is an Italian-American plumber who lives in the Mushroom Kingdom with his younger twin brother, Luigi. Their adventures generally involve rescuing Princess Peach from the villain Bowser while using power-ups that give them different abilities. Mario is distinguished by his large nose and mustache, overalls, red cap, and high-pitched, exaggerated Italian accent.

Mario debuted as the player character of Donkey Kong, a 1981 platform game. Miyamoto created Mario because Nintendo was unable to license Popeye as the protagonist. The graphical limitations of arcade hardware influenced Mario's design, such as his nose, mustache, and overalls, and he was named after Nintendo of America's landlord, Mario Segale. Mario then starred in Mario Bros. (1983). Its 1985 Nintendo Entertainment System sequel, Super Mario Bros., began the successful Super Mario platformer series. Charles Martinet voiced Mario from 1991 to 2023, when he was succeeded by Kevin Afghani.

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Popeye in the context of Donkey Kong (arcade game)

Donkey Kong is a 1981 platform game developed and published by Nintendo for arcades. As Mario (occasionally referred to as "Jumpman" at the time), the player runs and jumps on platforms and climbs ladders to ascend a construction site in New York City and rescue Pauline (occasionally referred to as "The Lady" at the time) from the giant gorilla Donkey Kong. It is the first game in the Donkey Kong series and Mario's first appearance in a video game.

Donkey Kong was created to salvage unsold arcade cabinets following the failure of Nintendo's Radar Scope (1980), and was designed for Nintendo of America's audience. Hiroshi Yamauchi, Nintendo's president at the time, assigned the project to first-time video game designer Shigeru Miyamoto. Drawing inspiration from "Beauty and the Beast" and American media such as Popeye and King Kong, Miyamoto developed the characters and scenario and designed the game alongside chief engineer Gunpei Yokoi. Donkey Kong was the most complex arcade game released at that point, using graphics for characterization, including cutscenes to illustrate a plot, and integrating multiple unique stages into the gameplay. The game pioneered the platform genre before the term existed, is the first to feature jumping, and is one of the first video games with a damsel in distress narrative, after Sheriff. It had a limited release in Japan on July 9, 1981, before receiving a wide release in the region some weeks later.

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Popeye in the context of Gene Deitch

Eugene Merril Deitch (August 8, 1924 – April 16, 2020) was an American illustrator, animator, comics artist, and film director who was based in Prague from the 1960s until his death in 2020. Deitch was known for creating animated cartoons such as Munro, Tom Terrific, and Nudnik, as well as his work on the Popeye and Tom and Jerry series.

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Popeye in the context of Daffy Duck

Daffy Duck is a fictional cartoon character created by animators Tex Avery and Bob Clampett for Leon Schlesinger Productions. Styled as an anthropomorphic black duck, he has appeared in cartoon series such as Looney Tunes and Merrie Melodies, in which he is usually depicted as a foil for either Bugs Bunny, Porky Pig, or Speedy Gonzales. He was one of the first of the new "screwball" characters that emerged in the late 1930s to replace traditional everyman characters who were more popular earlier in the decade, such as Mickey Mouse, Porky Pig, and Popeye.

Daffy starred in 130 shorts in the golden age, making him the third-most frequent character in the Looney Tunes/Merrie Melodies cartoons, behind Bugs Bunny's 168 appearances and Porky Pig's 153 appearances. Virtually every Warner Bros. cartoon director, most notably Bob Clampett, Robert McKimson, and Chuck Jones, put his own spin on the Daffy Duck character.

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Popeye in the context of E. C. Segar

Elzie Crisler Segar (/ˈsɡɑːr/; December 8, 1894 – October 13, 1938), known by the pen name E. C. Segar, was an American cartoonist. He created Popeye in 1929, introducing the character in his comic strip Thimble Theatre.

Charles M. Schulz said of Segar's work: "I think Popeye was a perfect comic strip, consistent in drawing and humor". Carl Barks described Segar as "the unbridled genius as far as I was concerned".

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