Pope Benedict XIV in the context of "Caesar Baronius"

Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.

Laura Maria Caterina Bassi Veratti (29 October 1711 – 20 February 1778) was an Italian physicist and academic. Recognized and depicted as "Minerva" (goddess of wisdom), she was the first woman to have a doctorate in science, and the second woman in the world to earn the Doctor of Philosophy degree. Working at the University of Bologna, she was the first salaried female teacher in a university. At one time the highest paid employee of the university, by the end of her life Bassi held two other professorships. She was also the first female member of any scientific establishment, when she was elected to the Academy of Sciences of the Institute of Bologna in 1732 at 21.

Bassi did not receive formal education; instead, she was privately tutored from the age of five until she was twenty. By then, she was well-versed in major disciplines, including sciences and mathematics. Noticing her ability, Prospero Lambertini, the Archbishop of Bologna (later Pope Benedict XIV), became her patron. With Lambertini's arrangement, she publicly defended forty-nine theses before professors of the University of Bologna on 17 April 1732, for which she was awarded a doctoral degree on 12 May. A month later, she was appointed by the university as its first female teacher, albeit with the restriction that she was not allowed to teach all-male classes. Lambertini, by then the Pope, helped her to receive permissions for private classes and experiments, which were granted by the university in 1740.

The Cathedral of Our Lady of Egypt, also called the Coptic Catholic Cathedral of Cairo, is a Coptic Catholic church building at 39 Mustafa Fahmi Street in Cairo, Egypt.

The cathedral serves as the main church of the Catholic Coptic Patriarchate of Alexandria (Patriarchatus Alexandrinus Coptorum) which began in 1741 as an apostolic vicariate created by Pope Benedict XIV. It was elevated to its present status in 1895 under the pontificate of Pope Leo XIII with the papal bull “Christi Domini". It is under the pastoral responsibility of Patriarch Ibrahim Isaac Sidrak.

Most Faithful Majesty (Portuguese: Sua Majestade Fidelíssima) was the style used by the Portuguese monarchs, from 1748 to 1910. The title fidelissimus (Latin for 'most faithful') is still attached to Portugal, as it was given to Portugal in the person of its sovereigns, and is still being used by the Holy See.

The sobriquet Most Faithful King (Latin: Rex Fidelissimus, Portuguese: Rei Fidelíssimo) was a title awarded by the Pope Benedict XIV – as spiritual head of the Catholic Church – in 1748, to King João V of Portugal and to his heirs.

Giles of Rome OSA (Latin: Aegidius Romanus; Italian: Egidio Colonna; c. 1243 – 22 December 1316) was a medieval philosopher and Scholastic theologian and a friar of the Order of St Augustine, who was also appointed to the positions of prior general of his order and as Archbishop of Bourges. He is famed as being a logician, who produced a commentary on the Organon by Aristotle, and as the author of two important works: De ecclesiastica potestate, a major text of early-14th-century papalism, and De regimine principum, a guide book for Christian temporal leadership. Giles was styled Doctor Fundatissimus ("Best-Grounded Teacher") by Pope Benedict XIV.

Writers in 14th- and 15th-century-England such as John Trevisa and Thomas Hoccleve translated or adapted him into English.