Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.
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Giovanni Pannini in the context of Cultural heritage
Cultural heritage is the tangible and intangible legacy of a group or society that is inherited from past generations. Not all legacies of past generations are "heritage"; rather, heritage is a product of selection by society.
Cultural heritage includes tangible culture (such as buildings, monuments, landscapes, archive materials, books, works of art, and artifacts), intangible culture (such as folklore, traditions, language, and knowledge), and natural heritage (including culturally significant landscapes, and biodiversity). The term is often used in connection with issues relating to the protection of Indigenous intellectual property.
Giovanni Pannini in the context of Cultural objects
Cultural heritage is the tangible and intangible legacy of a group or society that is inherited from past generations. Not all legacies of past generations are "heritage"; rather, heritage is a product of selection by society.
Cultural heritage includes tangible culture (such as buildings, monuments, landscapes, archival materials, books, works of art, and artifacts), intangible culture (such as folklore, traditions, language, and knowledge), and natural heritage (including culturally significant landscapes, and biodiversity). The term is often used in connection with issues related to the protection of Indigenous intellectual property.