Polemic in the context of "Hugh Trevor-Roper"

⭐ In the context of Hugh Trevor-Roper’s career, polemic is considered…

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⭐ Core Definition: Polemic

Polemic (/pəˈlɛmɪk/ pə-LEHM-ick, US also /-ˈlimɪk/ -⁠LEEM-ick) is contentious rhetoric intended to support a specific position by forthright claims and to undermine the opposing position. The practice of such argumentation is called polemics, which are seen in arguments on controversial topics. A person who writes polemics, or speaks polemically, is called a polemicist. The word derives from Ancient Greek πολεμικός (polemikos) 'warlike, hostile', from πόλεμος (polemos) 'war'.

Polemics often concern questions in religion or politics. A polemical style of writing was common in Ancient Greece, as in the writings of the historian Polybius. Polemic again became common in medieval and early modern times. Since then, famous polemicists have included satirist Jonathan Swift, Italian physicist and mathematician Galileo, French theologian Jean Calvin, French Enlightenment writer, historian, and philosopher Voltaire, Russian author Leo Tolstoy, socialist philosophers Karl Marx and Friedrich Engels, novelist George Orwell, playwright George Bernard Shaw, communist revolutionary Vladimir Lenin, linguist Noam Chomsky, social critics H. L. Mencken, Christopher Hitchens and Peter Hitchens, and existential philosophers Søren Kierkegaard and Friedrich Nietzsche.

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👉 Polemic in the context of Hugh Trevor-Roper

Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 – 26 January 2003) was an English historian. He was Regius Professor of Modern History at the University of Oxford.

Trevor-Roper was a polemicist and essayist on a range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany. According to John Philipps Kenyon, "some of [Trevor-Roper's] short essays have affected the way we think about the past more than other men's books". Richard Davenport-Hines and Adam Sisman wrote that "The bulk of his publications is formidable ... Some of his essays are of Victorian length. All of them reduce large subjects to their essence. Many of them ... have lastingly transformed their fields." Conversely, Sisman wrote: "the mark of a great historian is that he writes great books, on the subject which he has made his own. By this exacting standard Hugh failed."

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Polemic in the context of Voltaire

François-Marie Arouet (French: [fʁɑ̃swa maʁi aʁwɛ]; 21 November 1694 – 30 May 1778), known by his nom de plume Voltaire (/vɒlˈtɛər, vl-/, US also /vɔːl-/; French: [vɔltɛːʁ]), was a French Enlightenment writer, philosopher (philosophe), satirist, and historian. Famous for his wit and his criticism of Christianity (especially of the Catholic Church) and of slavery, Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state.

Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays, histories, and even scientific expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. His polemics witheringly satirized intolerance and religious dogma, as well as the French institutions of his day. His best-known work and magnum opus, Candide, is a novella that comments on, criticizes, and ridicules many events, thinkers and philosophies of his time, most notably Gottfried Leibniz and his belief that our world is of necessity the "best of all possible worlds".

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Polemic in the context of Friedrich Nietzsche

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career. In 1869, aged 24, Nietzsche became the youngest professor to hold the Chair of Classical Philology at the University of Basel. Plagued by health problems for most of his life, he resigned from the university in 1879, and in the following decade he completed much of his core writing. In 1889, aged 44, he suffered a collapse and thereafter a complete loss of his mental faculties, with paralysis and vascular dementia, living his remaining 11 years under the care of his family until his death. His works and his philosophy have fostered not only extensive scholarship but also much popular interest.

Nietzsche's work encompasses philosophical polemics, poetry, cultural criticism and fiction, while displaying a fondness for aphorisms and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture and science, and drew inspiration from Hebrew literature, Indian literature and Greek tragedy, as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky and Johann Wolfgang von Goethe.

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Polemic in the context of John Milton

John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. His 1667 epic poem Paradise Lost was written in blank verse and included 12 books, written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan, and God's expulsion of them from the Garden of Eden. Paradise Lost elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell.

Milton achieved fame and recognition during his lifetime. His celebrated Areopagitica (1644) condemning pre-publication censorship is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words to the English language, coined from Latin and Ancient Greek. He was the first modern writer to employ unrhymed verse outside of the theatre or translations.

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Polemic in the context of George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

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Polemic in the context of Parody

A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc.), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.

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Polemic in the context of James Anthony Froude

James Anthony Froude FRSE (/frd/ FROOD; 23 April 1818 – 20 October 1894) was an English historian, novelist, biographer, and editor of Fraser's Magazine. From his upbringing amidst the Anglo-Catholic Oxford Movement, Froude intended to become a clergyman, but doubts about the doctrines of the Anglican church, published in his scandalous 1849 novel The Nemesis of Faith, drove him to abandon his religious career. Froude turned to writing history, becoming one of the best-known historians of his time for his History of England from the Fall of Wolsey to the Defeat of the Spanish Armada.

Inspired by Thomas Carlyle, Froude's historical writings were often fiercely polemical, earning him a number of outspoken opponents. Froude continued to be controversial until his death for his Life of Carlyle, which he published along with personal writings of Thomas and Jane Welsh Carlyle. These publications led to persistent gossip and discussion of the couple's marital problems.

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Polemic in the context of Doctrina Jacobi

The Doctrina Jacobi is a Greek Christian polemical tract set in Carthage and written in Syria Palaestina. The composition of the document is generally dated to 634 or shortly afterwards.

It supposedly records a weeks-long discussion ending on July 13, 634, among Jews who have been forcibly baptized by order of the emperor. One of them, Jacob, has come to believe sincerely in Christianity; he instructs the rest about why they should also sincerely embrace their new faith. Halfway through, a Jewish merchant named Justus arrives and challenges Jacob to a debate. In the end, all of the participants are convinced to embrace Christianity, and Jacob and Justus return east. In addition to several partial Greek manuscripts, the text survives in Latin, Arabic, Ethiopic and Slavonic translations.

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