God is dead in the context of "Friedrich Nietzsche"

⭐ In the context of Friedrich Nietzsche, the declaration of 'God is dead' is most directly linked to his observations regarding…

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⭐ Core Definition: God is dead

"God is dead" (German: Gott ist tot [ɔɔt ÉŖst toːt] ; also known as the death of God) is a statement made by the German philosopher Friedrich Nietzsche. The first instance of this statement in Nietzsche's writings is in his 1882 The Gay Science, where it appears three times. The phrase also appears in the first section, that titled the Prologue, of Nietzsche's Thus Spoke Zarathustra, and again in Chapter 25, The Pitiful, of the longer portion, Zarathustra's Discourses.

The meaning of this statement is that since, as Nietzsche says, "the belief in the Christian God has become unbelievable", everything that was "built upon this faith, propped up by it, grown into it", including "the whole [...] European morality", is bound to "collapse".

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šŸ‘‰ God is dead in the context of Friedrich Nietzsche

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career. In 1869, aged 24, Nietzsche became the youngest professor to hold the Chair of Classical Philology at the University of Basel. Plagued by health problems for most of his life, he resigned from the university in 1879, and in the following decade he completed much of his core writing. In 1889, aged 44, he suffered a collapse and thereafter a complete loss of his mental faculties, with paralysis and vascular dementia, living his remaining 11 years under the care of his family until his death. His works and his philosophy have fostered not only extensive scholarship but also much popular interest.

Nietzsche's work encompasses philosophical polemics, poetry, cultural criticism and fiction, while displaying a fondness for aphorisms and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture and science, and drew inspiration from Hebrew literature, Indian literature and Greek tragedy, as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky and Johann Wolfgang von Goethe.

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God is dead in the context of Death of God theology

Death of God theology refers to a range of ideas by various theologians and philosophers that try to account for the rise of secularity and abandonment of traditional beliefs in God. They posit that God has either ceased to exist or in some way accounted for such a belief.

Although philosophers since Friedrich Nietzsche have occasionally used the phrase "God is dead" to reflect increasing unbelief in God, the concept rose to prominence in the late 1950s and 1960s, before waning again.

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