Thus Spoke Zarathustra in the context of "God is dead"

Friedrich Nietzsche (1844–1900) developed his philosophy during the late 19th century. He owed the awakening of his philosophical interest to reading Arthur Schopenhauer's Die Welt als Wille und Vorstellung (The World as Will and Representation, 1819, revised 1844) and said that Schopenhauer was one of the few thinkers that he respected, dedicating to him his essay Schopenhauer als Erzieher (Schopenhauer as Educator), published in 1874 as one of his Untimely Meditations.

Since the dawn of the 20th century, the philosophy of Nietzsche has had great intellectual and political influence around the world. Nietzsche applied himself to such topics as morality, religion, epistemology, poetry, ontology, and social criticism. Because of Nietzsche's evocative style and his often outrageous claims, his philosophy generates passionate reactions running from love to disgust. Nietzsche noted in his autobiographical Ecce Homo that his philosophy developed and evolved over time, so interpreters have found it difficult to relate concepts central to one work to those central to another, for example, the thought of the eternal recurrence features heavily in Also sprach Zarathustra (Thus Spoke Zarathustra), but is almost entirely absent from his next book, Beyond Good and Evil. Added to this challenge is the fact that Nietzsche did not seem concerned to develop his thought into a system, even going so far as to disparage the attempt in Beyond Good and Evil.

The Übermensch (/ˈuːbərmɛnʃ/ OO-bər-mensh, German: [ˈyːbɐmɛnʃ] ; lit. 'Superman' or 'Beyond-Man') is a concept in the philosophy of Friedrich Nietzsche. In his 1883 book, Thus Spoke Zarathustra (German: Also sprach Zarathustra), Nietzsche has his character Zarathustra posit the Übermensch as a goal for humanity to set for itself. The Übermensch represents a shift from otherworldly Christian values and manifests the grounded human ideal.

Beyond Good and Evil: Prelude to a Philosophy of the Future (German: Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft) is a book by philosopher Friedrich Nietzsche that covers ideas in his previous work Thus Spoke Zarathustra but with a more polemical approach. It was first published in 1886 under the publishing house C. G. Naumann of Leipzig at the author's own expense and first translated into English by Helen Zimmern, who was two years younger than Nietzsche and knew the author.

According to translator Walter Kaufman, the title refers to the need for moral philosophy to go beyond simplistic black and white moralizing, as contained in statements such as "X is good" or "X is evil". At the beginning of the book (§ 2), Nietzsche attacks the very idea of using strictly opposite terms such as "Good versus Evil".

The Gay Science (German: Die fröhliche Wissenschaft; sometimes translated as The Joyful Wisdom or The Joyous Science) is a book by Friedrich Nietzsche published in 1882, and was followed by a second edition in 1887, after the completion of Thus Spoke Zarathustra and Beyond Good and Evil. This substantial expansion includes the addition of a fifth book to the existing four books of The Gay Science, as well as an appendix of songs. It was described by Nietzsche as "the most personal of all my books", and contains more poems than any of his other works.

Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy. It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development of knowledge, whether there exists free will, or any other topic of philosophical interest. Philosophical fiction includes the novel of ideas, which can also fall under the genre of science fiction, utopian and dystopian fiction, and bildungsroman.

There is no universally accepted definition of philosophical fiction, but a sampling of notable works can help to outline its history. For example, a Platonic dialogue could be considered philosophical fiction. Some modern philosophers have written novels, plays, or short fiction in order to demonstrate or introduce their ideas. Common examples include Voltaire, Fyodor Dostoevsky, Thomas Mann, Hermann Hesse, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir and Ayn Rand. Authors who admire certain philosophers may incorporate their ideas into the principal themes or central narratives of novels. Some examples include The Moviegoer (Walker Percy), Thus Spoke Zarathustra (Nietzsche), Wittgenstein's Mistress (David Markson), and Speedboat (post-structuralism).

Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] , Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. Strauss conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts roughly 33 minutes.

The initial fanfare – titled "Sunrise" in the composer's programme notes – became well known after its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey. Eumir Deodato's jazz-funk hit version won the 1974 Grammy Award for Best Pop Instrumental Performance.