Plautus in the context of "William Shakespeare"

Latin (lingua Latina or Latinum) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally spoken by the Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, including English, having contributed many words to the English lexicon, particularly after the Christianisation of the Anglo-Saxons and the Norman Conquest. Latin roots appear frequently in the technical vocabulary used by fields such as theology, the sciences, medicine, and law.

By the late Roman Republic, Old Latin had evolved into standardised Classical Latin. Vulgar Latin refers to the less prestigious colloquial registers, attested in inscriptions and some literary works such as those of the comic playwrights Plautus and Terence and the author Petronius. While often called a "dead language", Latin did not undergo language death. Between the 6th and 9th centuries, natural language change in the vernacular Latin of different regions evolved into distinct Romance languages. After the fall of the Western Roman Empire, Latin remained the common language of international communication, science, scholarship and academia in Europe into the early 19th century, by which time modern languages had supplanted it in common academic and political usage.

Menander (/məˈnændər/; Ancient Greek: Μένανδρος, romanized: Ménandros; c. 342/341 – c. 290 BC) was a Greek playwright and the best-known representative of Athenian New Comedy. He wrote 108 comedies and took the prize at the Lenaia festival eight times. His record at the City Dionysia is unknown.

He was one of the most popular writers and most highly admired poets in antiquity, but his work was considered lost before the early Middle Ages. It now survives only in Latin-language adaptations by Terence and Plautus and, in the original Greek, in highly fragmentary form, most of which were discovered on papyrus in Egyptian tombs during the early to mid-20th century. In the 1950s, to the great excitement of Classicists, it was announced that a single play by Menander, Dyskolos, had finally been rediscovered in the Bodmer Papyri intact enough to be performed.

The Atellan Farce (Latin: Atellanae Fabulae or Fabulae Atellanae, "favola atellana"; Atellanicum exhodium, "Atella comedies"), also known as the Oscan Games (Latin: ludi Osci, "Oscan plays"), were masked improvised farces in Ancient Rome. The Oscan athletic games were very popular, and usually preceded by longer pantomime plays. The origin of the Atellan Farce is uncertain, but the farces are similar to other forms of ancient theatre such as the South Italian Phlyakes, the plays of Plautus and Terence, and Roman mime. Most historians believe the name is derived from Atella, an Oscan town in Campania. The farces were written in Oscan and imported to Rome in 391 BC. In later Roman versions, only the ridiculous characters speak their lines in Oscan, while the others speak in Latin.

The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205–184 BC.

Regio VI Umbria (also named Regio VI Umbria et Ager Gallicus) is the name for one of the 11 administrative regions into which the emperor Augustus divided Italy. The main source for the regions is the Historia Naturalis of Pliny the Elder, who informs his readers he is basing the geography of Italy on the descriptio Italiae, "division of Italy", made by Augustus. The Regio Sexta ("6th Region") is called Umbria complexa agrumque Gallicam citra Ariminium ("Umbria including the Gallic country this side of Rimini").

Umbria is named after an Italic people, the Umbri, who were gradually subjugated by the Romans in the 4th through the 2nd centuries BC. Although it passed the name on to the modern region of Umbria, the two coincide only partially. Roman Umbria extended from Narni in the South, northeastward to the neighborhood of Ravenna on the Adriatic coast, thus including a large part of central Italy that now belongs to the Marche; at the same time, it excluded the Sabine country (generally speaking, the area around modern Norcia) and the right bank of the Tiber, which – being inhabited by Etruscans – formed part of Regio VII Etruria: for example Perusia (the modern Perugia) and Orvieto (its ancient name is unknown), two Etruscan cities – were not part of Roman Umbria; on the contrary Sarsina, Plautus birthplace, was considered to be "in Umbria", while today it is in the modern province of Forlì-Cesena, in Emilia-Romagna.

Amphitryon (/æmˈfɪtriən/; Ancient Greek: Ἀμφιτρύων, gen.: Ἀμφιτρύωνος; usually interpreted as "harassing either side", Latin: Amphitruo), in Greek mythology, was a son of Alcaeus, king of Tiryns in Argolis. His mother was named either Astydameia, the daughter of Pelops and Hippodamia, or Laonome, daughter of Guneus, or else Hipponome, daughter of Menoeceus. Amphitryon was the brother of Anaxo (wife of Electryon), and Perimede, wife of Licymnius. He was a husband of Alcmene, Electryon's daughter, and stepfather of the Greek hero Heracles.

The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.

'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the different aspects of Roman society and culture at the time, including advancements in Roman literature and theatre. Theatre during this period of time would come to represent an important aspect of Roman society during the Republican and Imperial periods of Rome.

A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language. A pun differs from a malapropism in that a malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple (correct or fairly reasonable) interpretations. Puns may be regarded as in-jokes or idiomatic constructions, especially as their usage and meaning are usually specific to a particular language or its culture.

Puns have a long history in writing. For example, the Roman playwright Plautus was famous for his puns and word games.

The picaresque novel (Spanish: picaresca, from pícaro, for 'rogue' or 'rascal') is a genre of prose fiction. It depicts the adventures of a roguish but appealing hero, usually of low social class, who lives by his wits in a corrupt society. Picaresque novels typically adopt the form of "an episodic prose narrative" with a realistic style. There are often elements of comedy and satire.

The picaresque genre began with the Spanish novel Lazarillo de Tormes (1554), which was published anonymously during the Spanish Golden Age because of its anticlerical content. Literary works from Imperial Rome published during the 1st–2nd century AD, such as Satyricon by Petronius and The Golden Ass by Apuleius had a relevant influence on the picaresque genre and are considered predecessors. Other notable early Spanish contributors to the genre included Mateo Alemán's Guzmán de Alfarache (1599–1604) and Francisco de Quevedo's El Buscón (1626). Some other ancient influences of the picaresque genre include Roman playwrights such as Plautus and Terence. The Golden Ass by Apuleius nevertheless remains, according to various scholars such as F. W. Chandler, A. Marasso, T. Somerville and T. Bodenmüller, the primary antecedent influence for the picaresque genre. Subsequently, following the example of Spanish writers, the genre flourished throughout Europe for more than 200 years and it continues to have an influence on modern literature and fiction.

Amphitryon is a French language comedy in a prologue and 3 Acts by Molière which is based on the story of the Greek mythological character Amphitryon as told by Plautus in his play from ca. 190–185 B.C. The play was first performed at the Théâtre du Palais-Royal in Paris on 13 January 1668. A whiff of scandal surrounded the play, with some claiming that Molière was criticizing the amorous affairs of Louis XIV of France in the guise of Jupiter. It was performed again three days later at the Tuileries Garden in the presence of Louis XIV.

Amphitryon was an immediate success with the French aristocracy and the play was performed a total of 29 times by Easter 1668. The popularity of the work was such that one of the names of the characters became a part of the everyday French language. The word 'Sosie' in French now means look-alike, a reflection of the events in the play where the character Sosie (a part which was portrayed by Molière himself in the comedy's first production) is a doppelgänger of the God Mercury.