Plain weave in the context of "Muslin"

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.Cloth is usually woven on a loom, a device that holds warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design.

Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.

Although historically made from hemp, modern canvas is usually made of cotton, linen, or sometimes polyvinyl chloride (PVC). It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term duck comes from the Dutch word for cloth, doek. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number 4.

A satin weave is a type of fabric weave that produces a characteristically glossy, smooth or lustrous material, typically with a glossy top surface and a dull back; it is not durable, as it tends to snag. It is one of three fundamental types of textile weaves alongside plain weave and twill weave.

The satin weave is characterised by four or more fill or weft yarns floating over a warp yarn, and four warp yarns floating over a single weft yarn. Floats are missed interfacings, for example where the warp yarn lies on top of the weft in a warp-faced satin. These floats explain the high lustre and even sheen, as unlike in other weaves, light is not scattered as much when hitting the fibres, resulting in a stronger reflection. Satin is usually a warp-faced weaving technique in which warp yarns are "floated" over weft yarns, although there are also weft-faced satins. If a fabric is formed with a satin weave using filament fibres such as silk, polyester or nylon, the corresponding fabric is termed a 'satin', although some definitions insist that a satin fabric is only made from silk. If the yarns used are short-staple yarns such as cotton, the fabric formed is considered a sateen.

Twill is a type of textile weave with a pattern of parallel, diagonal ribs. It is one of three fundamental types of weave, along with plain weave and satin. It is made by passing the weft thread over one or more warp threads then under two or more warp threads and so on, with a "step", or offset, between rows to create the characteristic diagonal pattern. Due to this structure, twill generally drapes well.

In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn).

In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the picking stick and the flying shuttle, the latter of which was invented by John Kay, in 1733. The mechanised power loom was patented by Edmund Cartwright in 1785, which allowed sixty picks per minute.

Cotton duck (from Dutch: doek, meaning "cloth"), also simply duck, sometimes duck cloth or duck canvas, is a heavy, plain woven cotton fabric. Duck canvas is more tightly woven than plain canvas. There is also linen duck, which is less often used.

Cotton duck is used in a wide range of applications, from sneakers to painting canvases to tents to sandbags.

Sateen is a fabric made using a satin weave structure but with spun yarn instead of filament yarn. It is a cotton or other non-silk fabric that has the characteristics of silk satin but is less expensive.

The dense weave, sheen, and softer feel of sateen are produced through the satin weave structure. Standard plain weaves use a one-over, one-under structure. For a satin weave, warp yarns are floated over weft yarns, for example four over and one under (for a five-harness satin weave). In a weft-faced satin or sateen, the weft yarns are floated over the warp yarns. This weave structure is prone to fraying and is less durable than plain weave fabrics.

Chiffon (French: [ʃi.fɔ̃]; English: /ʃɪˈfɒn/, shif-ON), from the French word chiffe which means "cloth or rag"; is a lightweight, balanced plain-woven sheer fabric, or gauze, like gossamer, woven of alternate S- and Z-twist crepe (high-twist) yarns. Crepe yarn tends to have a tighter twist than standard yarns. The twist in the crepe yarns puckers the fabric slightly in both directions after weaving, giving it some stretch and a slightly rough feel.

Organza is a thin, plain weave, sheer fabric traditionally made from silk. Many modern organzas are woven with synthetic filament fibers such as polyester or nylon. Silk organza is woven by a number of mills along the Yangtze River and in the province of Zhejiang in China. A coarser silk organza is woven in the Bangalore area of India. Deluxe silk organzas are woven in France and Italy. Organza is distinguished by its crisp hand, stiffness relative to weight, and slippery surface texture.

The term may derive from French organsin, ultimately from the Central Asian city of Urgench, the midpoint of the Northern Silk Road.

Taffeta (archaically spelled taffety or taffata) is a crisp, smooth, plain woven fabric made from silk, nylon, cuprammonium rayons, acetate, or polyester. The word came into Middle English via Old French and Old Italian, which borrowed the Persian word tāfta (تافته), which means "silk" or "linen cloth". As clothing, it is used in ball gowns, wedding dresses, and corsets, and in interior decoration, for curtains or wallcovering. It tends to yield a stiff cloth with a starched appearance that holds its shape better than many other fabrics and does not sag or drape.

Silk taffeta is of two types: yarn-dyed and piece-dyed. Piece-dyed taffeta is often used in linings and is quite soft. Yarn-dyed taffeta is much stiffer and is often used in evening dresses. Shot silk taffeta was one of the most highly-sought forms of Byzantine silk, and may have been the fabric known as purpura.

Buckram is a stiff cotton, or occasionally, linen or horse-hair cloth with a plain, usually loose, weave, produced in various weights similar to muslin and other plain-weave fabrics. The fabric is soaked in a sizing agent such as wheat-starch paste, glue (such as PVA glue), or pyroxylin (gelatinized nitrocellulose, developed around 1910), then dried. When rewetted or warmed, it can be shaped to create durable firm fabric for book covers, hats, and elements of clothing.

Poplin, also called tabinet (or tabbinet), is a fine (but thick) wool, cotton or silk fabric with crosswise ribs that typically give a corded surface. Nowadays, the name refers to a strong material in a plain weave of any fiber or blend.

Poplin traditionally consisted of a silk warp with a weft of worsted yarn. In this case, as the weft is in the form of a stout cord, the fabric has a ridged structure, like rep, which gives depth and softness to the lustre of the silky surface. The ribs run across the fabric from selvedge to selvedge. In Britain, woollen yarn from the spinners in Suffolk would be sent to Dublin to be woven with silk into tabinet.