Warp and weft in the context of "Satin weave"

Woven fabric is any textile formed by weaving. Woven fabrics, often created on a loom, are made of many threads woven in a warp and weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester. Woven fabrics are used for clothing, garments, decorations, furniture, carpets and other uses.

A power loom is a mechanized loom that automates the weaving of cloth through leveraging mechanical power. It interlaces warp and weft threads via mechanisms like cams, gears, levers, and pulleys, replicating motions previously done manually. The mechanization of weaving dramatically increased production efficiency, contributing to the rise of large-scale textile factories during the Industrial Revolution.

Though the idea is older and experimentation predates him, Edmund Cartwright is credited with initiating power loom development with his 1785 patent. His initial versions were rudimentary but they pioneered automated weaving and laid the groundwork for factory-based production. By the early 19th century, improvements had made power looms reliable and widely adopted across Europe and North America, ushering in a new era of textile manufacturing. Cartwright’s invention marked the beginning of mechanized weaving, drastically reducing reliance on skilled handweavers.

Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.

In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century.

A sieve (/ˈsɪv/), fine mesh strainer, or sift is a tool used for separating wanted elements from unwanted material or for controlling the particle size distribution of a sample, using a screen such as a woven mesh or net or perforated sheet material. The word sift derives from sieve.

In cooking, a sifter is used to separate and break up clumps in dry ingredients such as flour, as well as to aerate and combine them. A strainer (see colander), meanwhile, is a form of sieve used to separate suspended solids from a liquid by filtration.

絣 / Iichiiri (Japanese:Kasuri) is the Okinawan term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Ryukyu Islands and Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance.

The warp and weft threads are resist-dyed in specific patterns prior to dyeing, with sections of the warp and weft yarns tightly wrapped with thread to protect them from the dye. When woven together, the undyed areas interlace to form patterns, with many variations – including highly pictographic and multi-colored results – possible to achieve. Kasuri patterns may be applied to either the warp or the weft, or to both in order to create a resulting woven pattern, with the cloth classified using different names depending on the method used.