Pinturicchio in the context of "Resurrection of Christ (Raphael)"

The Sistine Chapel (/ˈsɪstiːn/ SIST-een; Latin: Sacellum Sixtinum; Italian: Cappella Sistina [kapˈpɛlla siˈstiːna]) is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the Cappella Magna ('Great Chapel'), it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, it has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and The Last Judgment, both by Michelangelo.

During the reign of Sixtus IV, a team of Renaissance painters including Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescoes depicting the Life of Moses and the Life of Christ, offset by papal portraits above and trompe-l'œil drapery below. They were completed in 1482, and on 15 August 1483 Sixtus IV celebrated the first mass in the Sistine Chapel for the Feast of the Assumption, during which the chapel was consecrated and dedicated to the Virgin Mary.

The Borgia Apartments are a suite of rooms in the Apostolic Palace in the Vatican, adapted for personal use by Pope Alexander VI (Rodrigo de Borja). In the late 15th century, he commissioned the Italian painter Bernardino di Betto (Pinturicchio) and his studio to decorate them with frescoes.

The paintings and frescoes, which were executed between 1492 and 1494, drew on a complex iconographic program that used themes from medieval encyclopedias, adding an eschatological layer of meaning celebrating the supposedly divine origins of the Borgias. Five of the six apartments include frescoes painted in the vault. The upper register of the vaults contain paintings, while the lower registers are decorated with tapestries and gold. Recent cleaning of Pinturicchio's fresco The Resurrection has revealed a scene believed to be the earliest known European depiction of Native Americans, painted just two years after Christopher Columbus returned from the New World.

The Marriage of the Virgin is a painting by the Italian Renaissance master Perugino, although it is now sometimes attributed to his pupil Lo Spagna. It depicts the marriage between Joseph and Mary, and is now in the Musée des Beaux-Arts of Caen, France. Initially commissioned to Pinturicchio for the recently completed cathedral of Perugia, Perugino took over the commission and finished the work around 1500–1504, probably after several periods of stasis.

A very similar composition was painted by unknown artists (sometimes attributed to Fiorenzo di Lorenzo, probable teacher of Perugino or Rocco Zoppo, assistant of Perugino) for the church of San Girolamo in Spello in 1492. Which (if present scholarship is correct) is about ten years earlier than Perugino's and Raphael's treatments of the same subject. The composition of the earlier work does not utilize the elegant central perspective appearing in Perugino's and Raphael's more famous works. However, the figures in the foreground are very similar to both later paintings, including the unmistakable young man breaking the rod.

The Parish Basilica of Santa Maria del Popolo (Italian: Basilica Parrocchiale Santa Maria del Popolo) is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.

The Palazzo Comunale (Italian: Municipal palace), also known as the Palazzo del Popolo (Italian: People's palace) of San Gimignano has been the seat of the civic authority in the comune since the 13th century. It is located on the Piazza del Duomo close to the Collegiate Church of the Assumption of the Blessed Virgin Mary. The building and Collegiate Church are at the heart of the medieval town, and are part of the UNESCO World Heritage Site of the "Historic Centre of San Gimignano".

The building contains important fresco decorations by Memmo di Filippuccio, Lippo Memmi and others, a museum and a gallery with works of the Florentine and Sienese schools of art - including paintings by Coppo di Marcovaldo, Lippo Memmi, Benozzo Gozzoli, Filippino Lippi, Il Sodoma and Pinturicchio.