Filippino Lippi in the context of "Palazzo Comunale, San Gimignano"

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⭐ Core Definition: Filippino Lippi

Filippino Lippi (probably 1457 – 18 April 1504) was an Italian Renaissance painter mostly working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. He also worked in Rome for a period from 1488, and later in the Milan area and Bologna.

He worked in oils, tempera and fresco, mostly painting religious subjects, with a few portraits and secular allegories or scenes from classical mythology.

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👉 Filippino Lippi in the context of Palazzo Comunale, San Gimignano

The Palazzo Comunale (Italian: Municipal palace), also known as the Palazzo del Popolo (Italian: People's palace) of San Gimignano has been the seat of the civic authority in the comune since the 13th century. It is located on the Piazza del Duomo close to the Collegiate Church of the Assumption of the Blessed Virgin Mary. The building and Collegiate Church are at the heart of the medieval town, and are part of the UNESCO World Heritage Site of the "Historic Centre of San Gimignano".

The building contains important fresco decorations by Memmo di Filippuccio, Lippo Memmi and others, a museum and a gallery with works of the Florentine and Sienese schools of art - including paintings by Coppo di Marcovaldo, Lippo Memmi, Benozzo Gozzoli, Filippino Lippi, Il Sodoma and Pinturicchio.

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Filippino Lippi in the context of Brancacci Chapel

The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel.

The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. During the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

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Filippino Lippi in the context of Filippo Lippi

Filippo Lippi O.Carm. (c. 1406 – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello (called Pesellino) were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.

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Filippino Lippi in the context of Santa Maria del Carmine, Florence

Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

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