Philology in the context of "Erasmus"

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career. In 1869, aged 24, Nietzsche became the youngest professor to hold the Chair of Classical Philology at the University of Basel. Plagued by health problems for most of his life, he resigned from the university in 1879, and in the following decade he completed much of his core writing. In 1889, aged 44, he suffered a collapse and thereafter a complete loss of his mental faculties, with paralysis and vascular dementia, living his remaining 11 years under the care of his family until his death. His works and his philosophy have fostered not only extensive scholarship but also much popular interest.

Nietzsche's work encompasses philosophical polemics, poetry, cultural criticism and fiction, while displaying a fondness for aphorisms and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture and science, and drew inspiration from Hebrew literature, Indian literature and Greek tragedy, as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky and Johann Wolfgang von Goethe.

Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons. Additionally, interpolation, the insertion of new material into an existing text, can occur when scribes or editors added explanatory notes, corrections, or supplementary content that later became incorporated into the main text.

The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may lead to the production of a critical edition containing a scholarly curated text. If a scholar has several versions of a manuscript but no known original, then established methods of textual criticism can be used to seek to reconstruct the original text as closely as possible. The same methods can be used to reconstruct intermediate versions, or recensions, of a document's transcription history, depending on the number and quality of the text available.

Translation studies is an academic interdiscipline dealing with the systematic study of the theory, description and application of translation, interpreting, and localization. As an interdiscipline, translation studies borrows much from the various fields of study that support translation. These include comparative literature, computer science, history, linguistics, philology, philosophy, semiotics, and terminology.

The term “translation studies” was coined by the Amsterdam-based American scholar James S. Holmes in his 1972 paper “The name and nature of translation studies”, which is considered a foundational statement for the discipline. Writers in English occasionally use the term "translatology" (and less commonly "traductology") to refer to translation studies, and the corresponding French term for the discipline is usually traductologie (as in the Société Française de Traductologie). In the United States, there is a preference for the term "translation and interpreting studies" (as in the American Translation and Interpreting Studies Association), although European tradition includes interpreting within translation studies (as in the European Society for Translation Studies).

Gottfried Wilhelm Leibniz (or Leibnitz; 1 July 1646 [O.S. 21 June] – 14 November 1716) was a German polymath active as a mathematician, philosopher, scientist and diplomat who is credited, alongside Isaac Newton, with the creation of calculus in addition to many other branches of mathematics, such as binary arithmetic and statistics. Leibniz has been called the "last universal genius" due to his vast expertise across fields, which became a rarity after his lifetime with the coming of the Industrial Revolution and the spread of specialized labour. He is a prominent figure in both the history of philosophy and the history of mathematics. He wrote works on philosophy, theology, ethics, politics, law, history, philology, games, music, and other studies. Leibniz also made major contributions to physics and technology, and anticipated notions that surfaced much later in probability theory, biology, medicine, geology, psychology, linguistics and computer science.

Leibniz contributed to the field of library science, developing a cataloguing system (at the Herzog August Library in Wolfenbüttel, Germany) that came to serve as a model for many of Europe's largest libraries. His contributions to a wide range of subjects were scattered in various learned journals, in tens of thousands of letters and in unpublished manuscripts. He wrote in several languages, primarily in Latin, French and German.

In philology, a commentary is a line-by-line or even word-by-word explication usually attached to an edition of a text in the same or an accompanying volume. It may draw on methodologies of close reading and literary criticism, but its primary purpose is to elucidate the language of the text and the specific culture that produced it, both of which may be foreign to the reader. Such a commentary usually takes the form of footnotes, endnotes, or separate text cross-referenced by line, paragraph or page.

Means of providing commentary on the language of the text include notes on textual criticism, syntax and semantics, and the analysis of rhetoric, literary tropes, and style. The aim is to remove, lessen or point out linguistic obstacles to reading and understanding the text.

Michael George Francis Ventris, OBE (/ˈvɛntrɪs/; 12 July 1922 – 6 September 1956) was an English architect, classicist and philologist who deciphered Linear B, the ancient Mycenaean Greek script. A student of languages, Ventris had pursued decipherment as a personal vocation since his adolescence. After creating a new field of study, Ventris died in a car crash a few weeks before the publication of Documents in Mycenaean Greek, written with John Chadwick.

In philology and linguistics, decipherment is the discovery of the meaning of the symbols found in extinct languages and/or alphabets. Decipherment is possible with respect to languages and scripts. One can also study or try to decipher how spoken languages that no longer exist were once pronounced, or how living languages used to be pronounced in prior eras.

Notable examples of decipherment include the decipherment of ancient Egyptian scripts and the decipherment of cuneiform. A notable decipherment in recent years is that of the Linear Elamite script. Today, at least a dozen languages remain undeciphered. Historically speaking, decipherments do not come suddenly through single individuals who "crack" ancient scripts. Instead, they emerge from the incremental progress brought about by a broader community of researchers.

Kathenotheism is a term coined by the philologist Max Müller to mean the worship of one god at a time. It is closely related to henotheism, the worship of one god while not rejecting the existence of other gods. Müller coined the term in reference to the Vedas, where he explained each deity is treated as supreme in turn.

Desiderius Erasmus Roterodamus (/ˌdɛzɪˈdɪəriəs ɪˈræzməs/ DEZ-i-DEER-ee-əs irr-AZ-məs; Dutch: [ˌdeːziˈdeːrijʏs eːˈrɑsmʏs]; 28 October c. 1466 – 12 July 1536), commonly known in English as Erasmus of Rotterdam or simply Erasmus, was a Dutch humanist, Christian theologian, and philosopher. He was, through his writings, one of the most influential scholars of the Northern Renaissance and a major figure of Western culture.

Erasmus was an important figure in classical scholarship who wrote in a spontaneous, copious and natural Latin style. As a Catholic priest developing humanist techniques for working on texts, he prepared pioneering new Latin and Greek scholarly editions of the New Testament and of the Church Fathers, with annotations and commentary that were immediately and vitally influential in both the Protestant Reformation and the Catholic Reformation. He also wrote On Free Will, The Praise of Folly, The Complaint of Peace, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style and many other popular and pedagogical works.