A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. The term generally refers to rock engravings of ancient origin, often associated with prehistoric peoples. The oldest petroglyphs in the world are deemed to be those at Murujuga in Western Australia, which are 40,000–50,000 years old. Some petroglyphs are classified as protected monuments and some have been added to the list of UNESCO's World Heritage Sites, or such status has been applied for.
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👉 Petroglyph in the context of Weapon dance
A weapon dance employs weapons—or stylized versions of weapons—traditionally used in combat in order to simulate, recall, or reenact combat or the moves of combat in the form of dance, usually for some ceremonial purpose. Such dancing is quite common to folk ritual in many parts of the world. Weapon dancing is certainly ancient; among the earliest historical references we have are those that refer to the pyrrhichios, a weapon dance in ancient Sparta, in which the dance was used as a kind of ritual training for battle.
Related to weapon dances and war dances is the dance of the hunt. A very early reference to a weapon dance of the hunt comes in the form of a rock carving at Çatal Höyük, the large neolithic settlement in south-central Anatolia. It depicts a hunting ritual involving dancers holding their bows; one figure has a bow in each hand, two perform artistic leaps and another holds a horn-shaped stick and is striking a frame drum.
In this Dossier
Petroglyph in the context of Western art history
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.
The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.
Petroglyph in the context of Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article.
Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where it has been largely replaced by etching and other techniques.
Petroglyph in the context of Pictograph
A pictogram (also pictogramme, pictograph, or simply picto) is a graphical symbol that conveys meaning through its visual resemblance to a physical object. Pictograms are used in systems of writing and visual communication. A pictography is a writing system which uses pictograms. Some pictograms, such as hazard pictograms, may be elements of formal languages.
In the field of prehistoric art, the term "pictograph" has a different definition, and specifically refers to art painted on rock surfaces. Pictographs are contrasted with petroglyphs, which are carved or incised.
Petroglyph in the context of Western art
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and, with the Roman Empire, was carried across much of Europe, North Africa and Western Asia.
The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.
Petroglyph in the context of Reed boats
Reed boats and rafts, along with dugout canoes and other rafts, are among the oldest known types of boats. Often used as traditional fishing boats, they are still used in a few places around the world, though they have generally been replaced with planked boats. Reed boats can be distinguished from reed rafts, since reed boats are usually waterproofed with some form of tar. As well as boats and rafts, small floating islands have also been constructed from reeds.
The earliest discovered remains from a reed boat are 7000 years old, found in Kuwait. Reed boats are depicted in early petroglyphs and were common in ancient Egypt. A well-known example from the Book of Exodus is the ark of bulrushes in which the baby Moses was set afloat. They were also constructed from early times in Peru and Bolivia, and boats with remarkably similar design have been found in Easter Island and also New Zealand where they were made by indigenous Māori. Reed boats are still used in Peru, Bolivia, Ethiopia, and until recently in Corfu. The explorations and investigations of the Norwegian ethnographer and adventurer Thor Heyerdahl have resulted in a better understanding of the construction and capabilities of reed boats.