Leo Viktor Frobenius (29 June 1873 – 9 August 1938) was a German self-taught ethnologist and archaeologist and a major figure in German ethnography.
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👉 Leo Frobenius in the context of Petroglyph
A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. The term generally refers to rock engravings of ancient origin, often associated with prehistoric peoples. The oldest petroglyphs in the world are deemed to be those at Murujuga in Western Australia, which are 40,000–50,000 years old. Some petroglyphs are classified as protected monuments and some have been added to the list of UNESCO's World Heritage Sites, or such status has been applied for.
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Leo Frobenius in the context of Trans-cultural diffusion
In cultural anthropology and cultural geography, cultural diffusion, as conceptualized by Leo Frobenius in his 1897/98 publication "Der westafrikanische Kulturkreis",is the spread of cultural items—such as ideas, styles, art,religions, technologies, languages—between individuals, whether within a single culture or from one culture to another.It is distinct from the diffusion of innovations within a specific culture. Examples of cultural diffusion include the spread of the war chariot and of iron smelting in ancient times, and the use of automobiles and Western business suits in the 20th century.
Leo Frobenius in the context of The Cantos
The Cantos is a long modernist poem by Ezra Pound, written in 109 canonical sections in addition to a number of drafts and fragments added as a supplement at the request of the poem's American publisher, James Laughlin. Most of it was written between 1915 and 1962, although much of the material in the first three cantos was abandoned or redistributed in 1923, when Pound prepared the first instalment of the poem, A Draft of XVI Cantos (Three Mountains Press, 1925). It is a book-length work, widely considered to present formidable difficulties to the reader. Strong claims have been made for it as the most significant work of modernist poetry of the twentieth century. As in Pound's prose writing, the themes of economics, governance and culture are integral to its content.
The most striking feature of the text, to a casual browser, is the inclusion of Chinese characters as well as quotations in European languages other than English. Recourse to scholarly commentaries is almost inevitable for a close reader. The range of allusion to historical events is very broad, and abrupt changes occur with little transition. There is also wide geographical reference; Pound added to his earlier interests in the classical Mediterranean culture and East Asian selective topics from medieval and early modern Italy and Provence, the beginnings of the United States, England of the seventeenth century, and details from Africa he had obtained from Leo Frobenius.