Personhood in the context of "Henry Flynt"


Personhood in the context of "Henry Flynt"

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⭐ Core Definition: Personhood

Personhood is the status of having outstanding moral worth. Yet the specific criteria that qualify someone as a person are controversial. In the West, personhood tends to be defined in terms of "sophisticated cognitive capacities;" yet, in other societies, such as sub-Saharan Africa, personhood is more often understood as a relational process. Defining personhood is a controversial topic in philosophy and law and is closely tied with legal and political concepts of citizenship, equality, and liberty. According to law, only a legal person (either a natural or a juridical person) has rights, protections, privileges, responsibilities, and legal liability.

Personhood continues to be a topic of international debate and has been questioned critically during the abolition of human and nonhuman slavery, in debates about abortion and in fetal rights and/or reproductive rights, in animal rights activism, in theology and ontology, in ethical theory, and in debates about corporate personhood, and the beginning of human personhood. In the 21st century, corporate personhood is an existing Western concept; granting non-human entities personhood, which has also been referred to a "personhood movement", can bridge Western and Indigenous legal systems.

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👉 Personhood in the context of Henry Flynt

Henry Flynt (born 1940 in Greensboro, North Carolina) is an American philosopher, musician, writer, activist, and artist connected to the 1960s New York avant-garde. He coined the term "concept art" in the early 1960s, during which time he was associated with figures in the Fluxus scene. He later received attention for his anti-art demonstrations against New York cultural institutions in 1963 and 1964.

Since 1983, he has focused on philosophical writing related to nihilism, science, mathematical logic, post-capitalist economics, and personhood. A number of his archival musical recordings, which fuse hillbilly music with avant-garde techniques, were released in the 2000s. He has collaborated with artists such as C.C. Hennix, La Monte Young, George Maciunas, and John Berndt.

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