Penmanship in the context of "Western calligraphy"

Cursive (also known as joined-up writing) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".

The cursive method is used with many alphabets due to infrequent pen lifting which allows increased writing speed. However, more elaborate or ornamental calligraphic styles of writing can be slower to reproduce. In some alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke.

Palaeography (UK) or paleography (US) (ultimately from Ancient Greek: παλαιός, palaiós, 'old', and γράφειν, gráphein, 'to write') is the study and academic discipline of historical writing systems. It encompasses the historicity of manuscripts and texts, subsuming deciphering and dating of historical manuscripts, as well as the analysis of historic penmanship, handwriting scripts, signification, and printed media.

It is primarily concerned with the forms, processes, and relationships of writing and printing systems as evident in a text, document, or manuscript — analysis of the substantive textual content of documents is a secondary function. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural and technical context of writing systems, including the methods by which texts (such as manuscripts, books, codices, tracts, and monographs) were produced, and the history of scriptoria. Palaeography as a discipline is important for understanding, authenticating, and dating historical texts; however, in the absence of additional evidence, it is difficult to use palaeographic means alone to pinpoint exact dates of such texts.

Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use the Arabic alphabet or the alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts, architecture, and decoration. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi (خط عربي), literally meaning "line", "design", or "construction".

The development of Islamic calligraphy is strongly tied to the Qur'an, as chapters and verses from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden in the Qur'an, Islamic traditions have often limited figural representation in Islamic religious texts in order to avoid idolatry. Some scholars argue that Kufic script was developed by the late 7th century in Kufa, Iraq, from which it takes its name. This early style later evolved into several forms, including floral, foliated, plaited or interlaced, bordered, and square Kufic. In the ancient world, though, artists sometimes circumvented aniconic prohibitions by creating intricate calligraphic compositions that formed shapes and figures using tiny script. Calligraphy was a valued art form, and was regarded as both an aesthetic and moral pursuit. An ancient Arabic proverb illustrates this point by emphatically stating that "purity of writing is purity of the soul."

A chancery or chancellery (Latin: cancellaria) is a medieval writing office, responsible for the production of official documents. The title of chancellor, for the head of the office, came to be held by important ministers in a number of states, and remains the title of the heads of government in modern Germany and Austria. Chancery hand is a term for various types of handwriting associated with chanceries.

The Palmer Method of penmanship instruction was developed and promoted by Austin Palmer in the late 19th and early 20th centuries. It was intended to simplify the earlier "Spencerian method", which had been the main handwriting learning method since the 1840s. The Palmer Method soon became the most popular handwriting system in the United States.

Under the method, students were taught to adopt a uniform system of cursive writing with rhythmic elliptical motions.

In European and West Asian typography and penmanship, the baseline is the line upon which most letters sit and below which descenders extend.

In the example to the right, the letter 'p' has a descender; the other letters sit on the (red) baseline.

A teaching script is a sample script that serves as a visual orientation for learning to write by hand. In the sense of a guideline or a prototype, it supports the demanding process of developing handwriting skills and abilities in a visual and illustrative way.

Teaching scripts are represented as alphabets (upper and lower case letters), which are generally accompanied by numbers and punctuation marks. For detailed information on the execution of movements and the design of individual letters and their incorporation into words, various learning materials such as writing exercise sheets or corresponding exercise books are usually provided.

Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.

From an artistic point of view, Arabic calligraphy has been known and appreciated for its diversity and great potential for development. In fact, it has been linked in Arabic culture to various fields such as religion, art, architecture, education and craftsmanship, which in turn have played an important role in its advancement.