Arabic culture in the context of "Arabic calligraphy"

The Druze, who call themselves al-Muwaḥḥidūn (lit. 'the monotheists' or 'the unitarians'), are an Arab esoteric religious group from West Asia who adhere to the Druze faith, an Abrahamic, monotheistic, and syncretic religion whose main tenets assert the unity of God, reincarnation, and the eternity of the soul.

Although the Druze faith developed from Isma'ilism, Druze do not identify as Muslims. They maintain the Arabic language and culture as integral parts of their identity, with Arabic being their primary language. Most Druze religious practices are kept secret, and conversion to their religion is not permitted for outsiders. Interfaith marriages are rare and strongly discouraged. They differentiate between spiritual individuals, known as "uqqāl", who hold the faith's secrets, and secular ones, known as "juhhāl", who focus on worldly matters. Druze believe that, after completing the cycle of rebirth through successive reincarnations, the soul reunites with the Cosmic Mind (al-ʻaql al-kullī).

Theophilos (Greek: Θεόφιλος, romanized: Theóphilos, sometimes Latinised as Theophilus; c. 812 – 20 January 842) was Byzantine Emperor from 829 until his death in 842. He was the second emperor of the Amorian dynasty and the last emperor to support iconoclasm.

Theophilos was well-educated in the imperial household. Upon his accession to the throne he faced the dual threat of the Abbasid Caliphate in Asia Minor and the Aghlabids in Sicily, and personally led armies against both foes from 831 onwards. He won fleeting victories but the retaliation of Caliph al-Mu'tasim (r. 833–842) was devastating, as was most humiliating in the Sack of Amorion in 838, the ancestral home of Theophilos' Amorian dynasty. Internal strife within the Caliphate allowed the Byzantines to recover. Theophilos engaged in many construction and renovation projects. One of his closest allies was the learned and cosmopolitan John the Grammarian, and they both improved relations with the Caliph and appreciated Arabic culture. He also secured nominal overlordship over the Principality of Serbia, uniting against their common enemy, the First Bulgarian Empire.

The Culture of Malaysia draws on the varied cultures of the different people of Malaysia. The first people to live in the area were indigenous tribes that still remain; they were followed by the Malays, who moved there from mainland Asia in ancient times. Chinese and Indian cultural influences made their mark when trade began with those countries, and increased with immigration to Malaysia. Other cultures that heavily influenced that of Malaysia include Persian, Arabic and British. The many different ethnicities that currently exist in Malaysia have their own unique and distinctive cultural identities, with some crossover.

Arts and music have a long tradition in Malaysia, with Malay art dating back to the Malay sultanates. Traditional art was centred on fields such as carving, silversmithing, and weaving. Islamic taboos restricted artwork depicting humans until the mid-20th century. Performing arts and shadow puppet shows are popular, and often show Indian influences. Various influences can be seen in architecture, from individual cultures in Malaysia and from other countries. Large modern structures have been built, including the tallest twin buildings in the world, the Petronas Twin Towers. Malaysian music has a variety of origins, and is largely based around percussion instruments. Much early Malaysian literature was based on Indian epics, which remained unchanged even as Malays converted to Islam; this has expanded in recent decades. English literature remained restricted to the higher class until the arrival of the printing press. Locally created Chinese and Indian literature appeared in the 19th century.