Peking opera in the context of "Central Plains Mandarin"

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⭐ Core Definition: Peking opera

Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.

Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life.

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👉 Peking opera in the context of Central Plains Mandarin

Central Plains Mandarin, or Zhongyuan Mandarin (simplified Chinese: 中原官话; traditional Chinese: 中原官話; pinyin: Zhōngyuán Guānhuà), is a variety of Mandarin Chinese spoken in the central and southern parts of Shaanxi, Henan, southwestern part of Shanxi, southern part of Gansu, far southern part of Hebei, northern Anhui, northern parts of Jiangsu, southern Xinjiang and southern Shandong.

The archaic dialect in Peking opera is a form of Zhongyuan Mandarin.

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Peking opera in the context of Shaoxing

Shaoxing is a prefecture-level city on the southern shore of Hangzhou Bay in northeastern Zhejiang province, China. Located on the south bank of the Qiantang River estuary, it borders Ningbo to the east, Taizhou to the southeast, Jinhua to the southwest, and Hangzhou to the west. As of the 2020 census, its population was 5,270,977 inhabitants among which, 2,958,643 (Keqiao, Yuecheng and Shangyu urban districts) lived in the built-up (or metro) area of HangzhouShaoxing, with a total of 13,035,326 inhabitants.

Notable residents of Shaoxing include Wang Xizhi, the parents of Zhou Enlai, Lu Xun, and Cai Yuanpei. It is also noted for Shaoxing wine, meigan cai, and stinky tofu, and was featured on A Bite of China. Its local variety of Chinese opera sung in the local dialect and known as Yue opera is second in popularity only to Peking opera. In 2010, Shaoxing celebrated the 2,500th anniversary of the founding of the city.

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Peking opera in the context of Chinese opera

Traditional Chinese opera (traditional Chinese: 戲曲; simplified Chinese: 戏曲; pinyin: xìqǔ; Jyutping: hei3 kuk1), or Xiqu, is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279 AD). Early forms of Chinese theater are simple; however, over time, various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed by the performers.

There are over a hundred regional branches of traditional Chinese opera today. In the 20th century, the Peking opera emerged in popularity and has come to be known as the "national theatre" of China, but other genres like Yue opera, Cantonese opera, Yu opera, kunqu, qinqiang, Huangmei opera, pingju, and Sichuan opera are also performed regularly before dedicated fans. Their differences are mainly found in the music and topolect; the stories are often shared and borrowed. With few exceptions (such as revolutionary operas and to some extent Shanghai operas) the vast majority of Chinese operas (including Taiwanese operas) are set in China before the 17th century, whether they are traditional or newly written.

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