Patron of art in the context of "Grigory Orlov"

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⭐ Core Definition: Patron of art

Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, art patronage refers to the support that princes, popes, and other wealthy and influential people have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word patron derives from the Latin patronus ('patron'), one who gives benefits to his clients (see patronage in ancient Rome).

In some countries, the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the prime minister appointing senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the political party of the prime minister. The term is also used to refer to a type of corruption or favoritism in which a party in power rewards groups, families, or ethnicities for their electoral support illegally using gifts, appointments to positions, or government contracts.

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👉 Patron of art in the context of Grigory Orlov

Prince Grigory Grigoryevich Orlov (Russian: Григорий Григорьевич Орлов; 17 October 1734 – 24 April 1783) was a favourite of the Empress Catherine the Great of Russia, Prince of the Holy Roman Empire (1772), state and military figure, collector, patron of arts, and General-in-Chief.

He patronised M. V. Lomonosov, D. I. Fonvisin, V. I. Bazhenov and gave them financial support. Honorary member of the Imperial Academy of Arts (since 1765). He collected paintings (including Rembrandt, P. P. Rubens, Titian), sculpture, Chinese, Japanese and Russian porcelain, hunting weapons, etc. (Orlov's collection has been preserved almost completely; it is now in the State Museum-Reserve "Gatchina" of the eponymous city). A large landowner, particularly of the Gatchina manor, where Orlov commissioned the construction of a palace and a landscape garden.

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