Patera in the context of "Libation"

Vesta (Classical Latin: [ˈwɛs.ta]) is the virgin goddess of the hearth, home, and family in Roman religion. She was rarely depicted in human form, and was more often represented by the fire of her temple in the Forum Romanum. Entry to her temple was permitted only to her priestesses, the Vestal Virgins. Their virginity was deemed essential to Rome's survival; if found guilty of inchastity, they were buried or entombed alive. As Vesta was considered a guardian of the Roman people, her festival, the Vestalia (7–15 June), was regarded as one of the most important Roman holidays. During the Vestalia privileged matrons walked barefoot through the city to the temple, where they presented food-offerings. Such was Vesta's importance to Roman religion that following the rise of Christianity, hers was one of the last non-Christian cults still active, until it was forcibly disbanded by the Christian emperor Theodosius I in AD 391.

The myths depicting Vesta and her priestesses were few; the most notable of them were tales of miraculous impregnation of a virgin priestess by a phallus appearing in the flames of the sacred hearth — the manifestation of the goddess combined with a male supernatural being. In some Roman traditions, Rome's founders Romulus and Remus and the benevolent king Servius Tullius were conceived in this way. Vesta was among the Dii Consentes, twelve of the most honored gods in the Roman pantheon. She was the daughter of Saturn and Ops, and sister of Jupiter, Neptune, Pluto, Juno, and Ceres. Her Greek equivalent is Hestia.

The word lituus originally meant a curved augural staff, or a curved war-trumpet in the ancient Latin language. This Latin word continued in use through the 18th century as an alternative to the vernacular names of various musical instruments.

In ancient Roman religion, Concordia (means "concord" or "harmony" in Latin) is the goddess who embodies agreement in marriage and society. Her Greek equivalent is usually regarded as Harmonia, with musical harmony a metaphor for an ideal of social concord or entente in the political discourse of the Republican era. She was thus often associated with Pax ("Peace") in representing a stable society. As such, she is more closely related to the Greek concept of homonoia (likemindedness), which was also represented by a goddess.

Concordia Augusta was cultivated in the context of Imperial cult. Dedicatory inscriptions to her, on behalf of emperors and members of the imperial family, were common.

In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain, and the presence of foals in some sculptures. She and her horses might also have been leaders of the soul in the after-life ride, with later literary parallels in Rhiannon of the Mabinogion. The worship of Epona, "the sole Celtic divinity ultimately worshipped in Rome itself", as the patroness of cavalry, was widespread in the Roman Empire between the first and third centuries AD; this is unusual for a Celtic deity, most of whom were associated with specific localities.

In classical Roman religion, a genius loci (pl.: genii locorum) was the protective spirit of a place. It was often depicted in religious iconography as a figure holding attributes such as a cornucopia, patera (libation bowl), or snake. Many Roman altars found throughout the Western Roman Empire were dedicated to a particular genius loci. The Roman imperial cults of the Emperor and the imperial house developed in part in connection with the sacrifices made by neighborhood associations (vici) to the local genius. These 265 local districts had their cult organised around the Lares Compitales (guardian spirits or lares of the crossroads), which the emperor Augustus transformed into Lares Augusti along with the Genius Augusti. The emperor's genius is then regarded as the genius loci of the Roman Empire as a whole.

Roman examples of these genii can be found, for instance, at the church of St. Giles, Tockenham, Wiltshire, England, where the genius loci is depicted as a relief in the wall of a Norman church built of Roman material. This shows "a youthful and curly-haired Roman Genius worked in high relief, holding a cornucopia in his left hand and a patera in his right", which previously has been "erroneously identified as Asclepius".