Passion (emotion) in the context of "Apathy"

The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology. Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, such as in the writings of poet Friedrich Hölderlin, historian Johann Joachim Winckelmann, and others. The word Dionysian occurs as early as 1608 in Edward Topsell's zoological treatise The History of Serpents. The concept has since been widely invoked and discussed within Western philosophy and literature.

In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo, son of Leto, is the god of the sun, art, plague and disease, of rational thinking and order, and appeals to logic, prudence and purity and stands for reason. Dionysus, son of Semele, is the god of wine, dance and pleasure, of irrationality and chaos, representing passion, emotions and instincts. The ancient Greeks did not consider the two gods to be opposites or rivals, although they were often entwined by nature.

Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution.

Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion and intuition were crucial to understanding the world, and that beauty is more than merely an affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and the supernatural, an idealization of the past as a nobler era, a fascination with the exotic and the mysterious, and a celebration of the heroic and the sublime.

Nirvana, in the Indian religions (Jainism, Hinduism, Buddhism, and Sikhism), is the concept of an individual's passions being extinguished as the ultimate state of salvation, release, or liberation from suffering (duḥkha) and from the cycle of birth and rebirth (saṃsāra).

In Indian religions, nirvana is sometimes used as a synonym of moksha and mukti. All Indian religions assert it to be a state of perfect quietude, freedom, and highest happiness; liberation from attachment and worldly suffering; and the ending of samsara, the cycle of existence. However, non-Buddhist and Buddhist traditions describe these terms for liberation differently. In Hindu philosophy, it is the union of or the realization of the identity of Atman with Brahman, depending on the Hindu tradition. In Jainism, nirvana is also the soteriological goal, representing the release of a soul from karmic bondage and samsara. The Buddhist concept of nirvana is the abandonment of the 10 fetters, marking the end of rebirth by stilling the "fires" that keep the process of rebirth going.

Lust is an intense desire for something. Lust can take any form such as the lust for sexual activity (see libido), money, or power; but it can also take such mundane forms as the lust for food (see gluttony; as distinct from the need for food) or the lust for redolence (when one is lusting for a particular smell that brings back memories). Lust is similar to, but distinguished from, passion, in that properly ordered passion propels individuals to achieve benevolent goals whilst lust does not.

Affection or fondness is a "disposition or state of mind or body" commonly linked to a feeling or type of love. It has led to multiple branches in philosophy and psychology that discuss emotion, disease, influence, and state of being. Often, "affection" denotes more than mere goodwill or friendship. Writers on ethics generally use the word to refer to distinct states of feeling, both lasting and temporary. Some contrast it with passion as being free from the distinctively sensual element.

Affection can elicit diverse emotional reactions such as embarrassment, disgust, pleasure, and annoyance. The emotional and physical effect of affection also varies between the giver and the receiver.

Telepathy (from Ancient Greek τῆλε (têle) 'distant' and πάθος/-πάθεια (páthos/-pátheia) 'feeling, perception, passion, affliction, experience') is the purported vicarious transmission of information from one person's mind to another's without using any known human sensory channels or physical interaction. The term was first coined in 1882 by the classical scholar Frederic W. H. Myers, a founder of the Society for Psychical Research (SPR), and has remained more popular than the earlier expression thought-transference.

Telepathy experiments have historically been criticized for a lack of proper controls and repeatability. There is no good evidence that telepathy exists, and the topic is generally considered by the scientific community to be pseudoscience. Telepathy is a common theme in science fiction.

Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films focus on the search for romantic love as the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints, or family resistance. As in all quite strong, deep, and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films.

Romantic films often explore the essential themes of love at first sight, young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, and tragic love. Romantic films serve as great escapes and fantasies for viewers, especially if the two leads finally overcome their difficulties, declare their love, and experience their "happily ever after", often implied by a reunion and final kiss. In romantic television series, such romantic relationships may develop over many episodes or different characters may become intertwined in different romantic arcs.

A kiss is the touching or pressing of one's lips against another person, animal or object. Cultural connotations of kissing vary widely; depending on the culture and context, a kiss can express sentiments of love, passion, romance, sexual attraction, sexual activity, sexual intercourse, sexual arousal, affection, respect, greeting, peace, or good luck, among many others. In some situations, a kiss is a ritual, formal or symbolic gesture indicating devotion, respect, or a sacramental.

The word comes from Old English cyssan ('to kiss'), in turn from coss ('a kiss').