Pantheon (gods) in the context of "The Fall of the Titans"

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⭐ Core Definition: Pantheon (gods)

A pantheon is the particular set of all gods of any individual polytheistic religion, mythology, or tradition.

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👉 Pantheon (gods) in the context of The Fall of the Titans

The Fall of the Titans is an oil painting of the Titanomachy by the Dutch painter Cornelis van Haarlem in 1588–1590. It measures 239 × 307 cm (94 × 121 in). The work is in the collection of the Statens Museum (the national art gallery) in Copenhagen, Denmark. It is an ambitious work of the Haarlem Mannerists, and a display of the artist's ability to devise and depict a large number of varied poses for the male nudes.

In Greek mythology, the Titans were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympians. Based on Mount Othrys, the Titans most famously included the first twelve children of Gaia (Mother Earth) and Uranus (Father Sky). They ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities.

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Pantheon (gods) in the context of Religious cosmology

Religious cosmology is an explanation of the origin, evolution, and eventual fate of the universe from a religious perspective. This may include beliefs on origin in the form of a creation, subsequent evolution, current organizational form and nature, and eventual fate or destiny. There are various traditions in religion or religious mythology asserting how and why everything is the way it is and the significance of it all. Religious cosmologies describe the spatial lay-out of the universe in terms of the world in which people typically dwell as well as other dimensions, such as the seven dimensions of religion; these are ritual, experiential and emotional, narrative and mythical, doctrinal, ethical, social, and material.

Religious mythologies may include descriptions of an act or process of creation by a creator deity or a larger pantheon of deities, explanations of the transformation of chaos into order, or the assertion that existence is a matter of endless cyclical transformations. Religious cosmology differs from a strictly scientific cosmology informed by contemporary astronomy, physics, and similar fields, and may differ in conceptualizations of the world's physical structure and place in the universe, its creation, and forecasts or predictions on its future.

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Pantheon (gods) in the context of Japanese mythology

Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and various Indian myths (such as Buddhist and Hindu mythology) are also key influences in Japanese religious belief.

Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds uncountable kami ("god(s)" or "spirits").

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Pantheon (gods) in the context of Sky father

In comparative mythology, sky father is a term for a recurring concept in polytheistic religions of a sky god who is addressed as a "father", often the father of a pantheon and is often either a reigning or former King of the Gods. The concept of "sky father" may also be taken to include Sun gods with similar characteristics, such as Ra. The concept is complementary to an "earth mother".

"Sky Father" is a direct translation of the Vedic Dyaus Pita, etymologically descended from the same Proto-Indo-European deity name as the Greek Zeûs Pater and Roman Jupiter, all of which are reflexes of the same Proto-Indo-European deity's name, *Dyēus Ph₂tḗr. While there are numerous parallels adduced from outside of Indo-European mythology, there are exceptions (e.g. In Egyptian mythology, Nut is the sky mother and Geb is the earth father).

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Pantheon (gods) in the context of King of the gods

As polytheistic systems evolve, there is a tendency for one deity to achieve preeminence as king of the gods, for example by being their (sky) father. This tendency can parallel the growth of hierarchical systems of political power in which a monarch eventually comes to assume ultimate authority for human affairs. Other gods come to serve in a Divine Council or pantheon; such subsidiary courtier-deities are usually linked by family ties from the union of a single husband or wife, or else from an androgynous divinity who is responsible for the creation.

Historically, subsequent social events, such as invasions or shifts in power structures, can cause the previous king of the gods to be displaced by a new divinity, who assumes the displaced god's attributes and functions. Frequently the king of the gods has at least one wife who is the queen of the gods.

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Pantheon (gods) in the context of Genealogia Deorum Gentilium

Genealogia deorum gentilium, known in English as On the Genealogy of the Gods of the Gentiles, is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio.

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Pantheon (gods) in the context of Death or departure of the gods

A dying god, or departure of the gods, is a motif in mythology in which one or more gods (of a pantheon) die, are destroyed, or depart permanently from their place on Earth to elsewhere.

Henri Frankfort speaks of the dying god as " The dying God is one of those imaginative conceptions in which early man made his emotional and intellectual preoccupations explicit." Saying the myth of the dying gods is a concept made by man to bring comfort to the concept of death. If gods can die then man can too. The dying god brings comfort in the unknown and makes it known.

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