Palace of Fontainebleau in the context of "Abdicate"

Abdication is the act of formally relinquishing monarchical authority. Abdications have played various roles in the succession procedures of monarchies. While some cultures have viewed abdication as an extreme abandonment of duty, in other societies (such as pre-Meiji Restoration Japan), abdication was a regular event and helped maintain stability during political succession.

Historically, abdications have occurred both by force (where the regnant was dethroned, thus forced to abdicate on pain of death or other severe consequences) and voluntarily. Some rulers are deemed to have abdicated in absentia, vacating the physical throne and thus their position of power, although these judgements were generally pronounced by successors with vested interests in seeing the throne abdicated, and often without or despite the direct input of the abdicating monarch.

In Greek mythology, Nauplius /ˈnɔːpliəs/ (Ancient Greek: Ναύπλιος, "Seafarer") is the name of one (or more) mariner heroes. Whether these should be considered to be the same person, or two or possibly three distinct persons, is not entirely clear. The most famous Nauplius, was the father of Palamedes, called Nauplius the Wrecker, because he caused the Greek fleet, sailing home from the Trojan War, to shipwreck, in revenge for the unjust killing of Palamedes. This Nauplius was also involved in the stories of Aerope, the mother of Agamemnon and Menelaus, and Auge, the mother of Telephus. The mythographer Apollodorus says he was the same as the Nauplius who was the son of Poseidon and Amymone. Nauplius was also the name of one of the Argonauts, and although Apollonius of Rhodes made the Argonaut a direct descendant of the son of Poseidon, the Roman mythographer Hyginus makes them the same person. However, no surviving ancient source identifies the Argonaut with the father of Palamedes.

French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Château de Montsoreau, the Château de Langeais, the Château d'Amboise, the Château de Blois, the Château de Gaillon and the Château de Chambord, as well as, closer to Paris, the Château de Fontainebleau.

This style of French architecture had two distinct periods. During the first period, between about 1491 and 1540, the Italian style was copied directly, often by Italian architects and craftsmen. In the second period, between 1540 and the end of the Valois dynasty in 1589, French architects and craftsmen gave the style a more distinctive and original French character.

Portrait of Joseph Bonaparte is an 1808 portrait painting by the French artist François Gérard. It depicts Joseph Bonaparte, recently created King of Spain, in his coronation robes. Joseph, the elder brother of Napoleon, had been King of Naples until he had been placed on the throne of Spain which triggered the Peninsular War.

Gérard, a neoclassical painter and pupil of Jacques-Louis David, produced a number of depictions of the extended Bonaparte dynasty. Today the painting is in the collection of the Palace of Fontainebleau outside Paris, having been acquired in 1981.

The Palazzo Ducale (Ducal Palace) in Mantua, also known as the Gonzaga Palace, is one of the city's main historic buildings. From 1308, it served as the official residence of the Lords of Mantua, initially the Bonacolsi, and later the main residence of the Gonzaga, who were lords, marquesses, and eventually dukes of the Virgilian city. It housed the reigning Gonzaga, his wife, their legitimate firstborn son, other legitimate children until adulthood, and notable guests. It was designated the Royal Palace during the Austrian domination starting from the reign of Maria Theresa.

Each duke sought to add a wing for themselves and their art collections, resulting in an area exceeding 35,000 m², making it one of Europe's largest palaces after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta, the Royal Palace of Venaria, Buckingham Palace, the Palace of Fontainebleau, the Winter Palace, or the Royal Palace of Stockholm. It comprises over 500 rooms and encompasses 7 gardens and 8 courtyards.

In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling relief ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into scrollwork, where the ends curl into spirals or scrolls. By the Baroque scrollwork was a common element in ornament, often partly submerged by other rich ornament.

European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on walls – painted, in frescos, carved in wood, or moulded in plaster or stucco – or in graphic work. The Europeanized arabesque patterns called moresque are also very often combined with strapwork, especially in tooled and gilded bookbindings.

André Le Nôtre (French pronunciation: [ɑ̃dʁe lə notʁ]; 12 March 1613 – 15 September 1700), originally rendered as André Le Nostre, was a French landscape architect and the principal gardener of King Louis XIV of France. He was the landscape architect who designed the gardens of the Palace of Versailles; his work represents the height of the French formal garden style, or jardin à la française.

Prior to working on Versailles, Le Nôtre collaborated with Louis Le Vau and Charles Le Brun on the park at Vaux-le-Vicomte. His other works include the design of gardens and parks at Bicton Park Botanical Gardens, Chantilly, Fontainebleau, Saint-Cloud and Saint-Germain. His contribution to planning was also significant: at the Tuileries in Paris he extended the westward vista, which later became the Avenue des Champs-Élysées within the Axe historique.