Château de Langeais in the context of "French Renaissance architecture"

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⭐ Core Definition: Château de Langeais

The Château de Langeais is a 15th-century Flamboyant Gothic castle in Indre-et-Loire, France, built on a promontory created by the small valley of the Roumer River at the opening to the Loire Valley. Founded in 992 by Fulk Nerra, Count of Anjou, the castle was soon attacked by Odo I, Count of Blois. After the unsuccessful attack, the now-ruined stone keep was built; it is one of the earliest datable stone examples of a keep. Between 994 and 996, the castle was besieged unsuccessfully twice more. During the conflict between the counts of Anjou and Blois, the castle changed hands several times, and in 1038 Fulk captured the castle again.

After it was destroyed during the Hundred Years' War, King Louis XI (1461–1483) rebuilt Château de Langeais into what today is one of the best-known examples of late medieval architecture. It is especially noted for its monumental and highly decorated chimneypieces. Restored in the late 19th century, Château de Langeais came under the control of the Institut de France, who owns the site today. It is listed as a monument historique by the French Ministry of Culture and is open to the public.

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👉 Château de Langeais in the context of French Renaissance architecture

French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Château de Montsoreau, the Château de Langeais, the Château d'Amboise, the Château de Blois, the Château de Gaillon and the Château de Chambord, as well as, closer to Paris, the Château de Fontainebleau.

This style of French architecture had two distinct periods. During the first period, between about 1491 and 1540, the Italian style was copied directly, often by Italian architects and craftsmen. In the second period, between 1540 and the end of the Valois dynasty in 1589, French architects and craftsmen gave the style a more distinctive and original French character.

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