Louis Le Vau in the context of "André Le Nôtre"

A court of honor (French: cour d'honneur [kuʁ dɔnœʁ] ; German: Ehrenhof [ˈeːʁənhoːf]) is the principal and formal approach and forecourt of a large building. It is usually defined by two secondary wings projecting forward from the main central block (corps de logis), sometimes with a fourth side, consisting of a low wing or a railing. The Palace of Versailles (illustration) and Blenheim Palace (plan) both feature such entrance courts.

The Louis XIV style or Louis Quatorze (/ˌluːi kæˈtɔːrz, - kəˈ-/ LOO-ee ka-TORZ, -⁠ kə-, French: [lwi katɔʁz] ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture (Royal Academy of Painting and Sculpture) and the Académie royale d'architecture (Royal Academy of Architecture). It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin-Mansart, Robert de Cotte, Pierre Le Muet, Claude Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–1691).

The Louis XIV style had three periods. During the first period, which coincided with the youth of the King (1643–1660) and the regency of Anne of Austria, architecture and art were strongly influenced by the earlier style of Louis XIII and by the Baroque style imported from Italy. The early period saw the beginning of French classicism, particularly in the early works of Francois Mansart, such as the Chateau de Maisons (1630–1651). During the second period (1660–1690), under the personal rule of the King, the style of architecture and decoration became more classical, triumphant and ostentatious, expressed in the building of the Palace of Versailles, first by Louis Le Vau and then Jules Hardouin-Mansart. Until 1680, furniture was massive, decorated with a profusion of sculpture and gilding. In the later period, thanks to the development of the craft of marquetry, the furniture was decorated with different colors and different woods. The most prominent creator of furniture in the later period was André Charles Boulle. The final period of Louis XIV style, from about 1690 to 1715, is called the period of transition; it was influenced by Hardouin-Mansart and by the King's designer of fetes and ceremonies, Jean Bérain the Elder. The new style was lighter in form, and featured greater fantasy and freedom of line, thanks in part to the use of wrought iron decoration, and greater use of arabesque, grotesque and coquille designs, which continued into the Louis XV style.

Grand Siècle (French pronunciation: [ɡʁɑ̃ sjɛkl]) or Great Century refers to the period of French history during the 17th century, under the reigns of Louis XIII and Louis XIV.

The period was notable for its development of art, music and literature, along with the construction of the Palace of Versailles, the effects of the French Wars of Religion, and the impacts of the Thirty Years' War, which made France the dominant power in Europe instead of Spain. Significant figures during this period include gardener André Le Nôtre, architects François Mansart, Louis Le Vau and Jules Hardouin-Mansart, painters Nicolas Poussin, Simon Vouet, Claude Lorrain, Georges de La Tour, Philippe de Champaigne, Charles Le Brun, sculptors Pierre Puget, François Girardon and Antoine Coysevox, playwrights Pierre Corneille, Molière and Jean Racine, the poets François de Malherbe, Jean de La Fontaine and Nicolas Boileau, writers Madame de La Fayette, Charles Perrault, composers Henri Dumont, Jean-Baptiste Lully, Marc-Antoine Charpentier, Michel Richard Delalande, André Campra, Henri Desmarest, Marin Marais and François Couperin, philosophers René Descartes, Blaise Pascal, Antoine Arnauld, Nicolas Malebranche, Pierre Gassendi, La Rochefoucauld, La Bruyere, and Pierre Bayle.

The Versailles Orangerie (French: L'orangerie du château de Versailles) was built by Jules Hardouin-Mansart between 1684 and 1686, before work on the Château de Versailles had even begun. The Orangerie, which replaced Louis Le Vau's earlier design from 1663, is an example of many such prestigious extensions of grand gardens in Europe designed both to shelter tender plants and impress visitors. With the addition of the Orangerie, the gardens, no longer reserved solely for use by Louis XIV, had the added use of a theatrical setting that could be used to entertain guests at court.

In the winter, the Versailles Orangerie houses more than a thousand trees in boxes. In previous centuries, in winter, the trees were housed in a cathedral-like space, and during the coldest months, the gardeners would burn fires to heat the housing of the trees. In 1689 gardener Valentin Lopin created a device to transport and move the large orange trees.