Charles Perrault in the context of "Grand Siècle"

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⭐ Core Definition: Charles Perrault

Charles Perrault (/pɛˈr/ perr-OH, US also /pəˈr/ pə-ROH, French: [ʃaʁl pɛʁo]; 12 January 1628 – 16 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book Histoires ou contes du temps passé. The best known of his tales include "Little Red Riding Hood", "Cinderella", "Puss in Boots", "Sleeping Beauty", and "Bluebeard".

Some of Perrault's versions of old stories influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to most entertainment formats. Perrault was an influential figure in the 17th-century French literary scene and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.

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Charles Perrault in the context of Little Red Riding Hood

"Little Red Riding Hood" (French: Le Petit Chaperon rouge) is a French fairy tale by Charles Perrault about a young girl and a Big Bad Wolf. Some later versions include a woodsman. Its origins can be traced back to several pre-17th-century European folk tales. It was later retold in the 19th-century by the Brothers Grimm.

The story has varied considerably in different versions over the centuries, translations, and as the subject of numerous modern adaptations. Other names for the story are "Little Red Cap" or simply "Red Riding Hood". It is number 333 in the Aarne–Thompson classification system for folktales.

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Charles Perrault in the context of Once upon a time

"Once upon a time" is a stock phrase used to introduce a narrative of past events, typically in fairy tales and folk tales. It has been used in some form since at least 1380 in storytelling in the English language and has started many narratives since 1600. These stories sometimes end with "and they all lived happily ever after", or, originally, "happily until their deaths".

The phrase is common in fairy tales for younger children. It was used in the original translations of the stories of Charles Perrault as a translation for the French "il était une fois", of Hans Christian Andersen as a translation for the Danish "der var engang" (literally "there was once"), the Brothers Grimm as a translation for the German "es war einmal" (literally "it was once") and Joseph Jacobs in English translations and fairy tales.

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Charles Perrault in the context of Prince Charming

Prince Charming is a fairy tale stock character archetype who comes to the rescue of a damsel in distress and must engage in a quest to liberate her from an evil spell. This classification suits most heroes of a number of traditional folk tales, including "Snow White", "Sleeping Beauty", "Rapunzel", and "Cinderella" even if in the original story they were given another name, or no name at all.

Elements of the Prince Charming character date at least back to Charles Perrault's Sleeping Beauty, published in 1697. Often handsome and romantic, these characters are essentially interchangeable, serving as a foil to the heroine; in many variants, they can be viewed as a metaphor for a reward the heroine achieves for the decisions she makes. The prominence of the character type makes him an obvious and frequent target for revisionist fairy tales, usually portraying him as narcissistic, dimwitted, and solely focused on romance, and often as a foil to either the heroine or their true love interest. "Prince Charming" is also used as a term to refer to the idealized man some people dream of as a future spouse.

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Charles Perrault in the context of Sleeping Beauty

"Sleeping Beauty" (French: La Belle au bois dormant, or The Beauty Sleeping in the Wood; German: Dornröschen, or Little Briar Rose), also titled in English as The Sleeping Beauty in the Woods, is a French fairy tale about a princess cursed by an evil fairy to sleep for a hundred years before being awakened by a handsome prince. A good fairy, knowing the princess would be frightened if alone when she wakes, uses her wand to put every living person and animal in the palace and forest asleep, to awaken when the princess does.

The earliest known version of the tale is found in the French narrative Perceforest, written between 1330 and 1344. Another was the Catalan poem Frayre de Joy e Sor de Paser. Giambattista Basile wrote another, "Sun, Moon, and Talia" for his collection Pentamerone, published posthumously in 1634–36 and adapted by Charles Perrault in Histoires ou contes du temps passé in 1697. The version collected and printed by the Brothers Grimm was one orally transmitted from the Perrault version, while including own attributes like the thorny rose hedge and the curse.

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Charles Perrault in the context of Cinderella

Cinderella or The Little Glass Slipper, is a French folk tale with thousands of variants that are told throughout the world. The protagonist is a young girl living in unfortunate circumstances who is suddenly blessed with remarkable fortune, ultimately ascending to the throne through marriage. The story of Rhodopis—recounted by the Greek geographer Strabo sometime between 7 BC and AD 23—is about a Greek slave girl who marries the king of Egypt, and is usually considered to be the earliest known variant of the Cinderella story.

The first literary European version of the story was published in Italy by Giambattista Basile in his Pentamerone in 1634. The version that is now most widely known in the English-speaking world was published in French by Charles Perrault in Histoires ou contes du temps passé (translation: "Histories or tales of times passed") in 1697 as Cendrillon, and was anglicized as Cinderella. Another version was later published as Aschenputtel by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales in 1812.

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Charles Perrault in the context of Cinderella (1950 film)

Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on Charles Perrault's 1697 fairy tale, the film follows Cinderella, the daughter of a widowed aristocrat, who is forced to become a servant of her cruel stepmother and stepsisters, until Cinderella's fairy godmother grants her the chance to attend the royal ball and meet the prince. The production was supervised by Ben Sharpsteen, and was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. It features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, June Foray, James MacDonald, and Luis van Rooten.

During the early 1940s, Walt Disney Productions had suffered financially after losing connections to the European film markets due to the outbreak of World War II. Because of this, the studio endured commercial failures such as Pinocchio, Fantasia (both 1940) and Bambi (1942), all of which would later become more successful with several re-releases in theaters and on home video. By 1947, the studio was over $4 million in debt and was on the verge of bankruptcy. Walt Disney and his animators returned to feature film production in 1948 after producing a string of package films with the idea of adapting Charles Perrault's Cendrillon into an animated film.

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Charles Perrault in the context of Sleeping Beauty (1959 film)

Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney Productions and released by Buena Vista Film Distribution. Based on Charles Perrault's 1697 fairy tale, the film follows Princess Aurora, who was cursed by the evil fairy Maleficent to die from pricking her finger on the spindle of a spinning wheel on her 16th birthday. She is saved by three good fairies, who alter Aurora's curse so that she falls into a deep sleep and will be awakened by true love's kiss. The production was supervised by Clyde Geronimi, and was directed by Wolfgang Reitherman, Eric Larson, and Les Clark. It features the voices of Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, and Bill Thompson.

Sleeping Beauty began development in 1950. The film took nearly a decade and $6 million (equivalent to $64,719,178 in 2024) to produce, and was Disney's most expensive animated feature at the time. Its tapestry-like art style was devised by Eyvind Earle, who was inspired by pre-Renaissance European art; its score and songs, composed by George Bruns, were based on Pyotr Tchaikovsky's 1889 ballet. Sleeping Beauty was the first animated film to use the Super Technirama 70 widescreen process and was the second full-length animated feature filmed in anamorphic widescreen, following Lady and the Tramp (1955).

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Charles Perrault in the context of Sun, Moon, and Talia

"Sun, Moon, and Talia" (Italian: Sole, Luna, e Talia) is an Italian literary fairy tale written by Giambattista Basile and published posthumously in the last volume of his 1634-36 work, the Pentamerone. Charles Perrault retold this fairy tale in 1697 as "Sleeping Beauty", as did the Brothers Grimm in 1812 as "Little Briar Rose".

It is Aarne-Thompson type 410; other tales of this type include The Glass Coffin and The Young Slave.

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Charles Perrault in the context of Histoires ou contes du temps passé

Histoires ou contes du temps passé, avec des moralités (English: Stories or Tales from Past Times, with Morals), or Contes de ma mère l'Oye (English: Mother Goose Tales), is a collection of literary fairy tales written by Charles Perrault, published in Paris in 1697. The work became popular because it was written at a time when fairy tales were fashionable amongst aristocrats in Parisian literary salons. Perrault wrote the work when he retired from court as secretary to Jean-Baptiste Colbert, minister to Louis XIV of France. Colbert's death may have forced Perrault's retirement, at which point he turned to writing. Scholars have debated as to the origin of his tales and whether they are original literary fairy tales modified from commonly known stories, or based on stories written by earlier medieval writers such as Boccaccio.

Elaborate embellishments were a preferred style at the French court. The simple plots Perrault started with were modified, the language enhanced, and rewritten for an audience of aristocratic and noble courtiers. Thematically, the stories support Perrault's belief that the nobility is superior to the peasant class, and many of the stories show an adherence to Catholic beliefs, such as those in which a woman undergoes purification from sin and repentance before reintegration into society.

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