Ottonian architecture is an architectural style which evolved during the reign of Emperor Otto the Great. The style was found in Germany and lasted from the mid 10th century until the mid 11th century.
>>>PUT SHARE BUTTONS HERE<<<
👉 Ottonian architecture in the context of Westwork
A westwork (German: Westwerk), forepart, avant-corps or avancorpo is the monumental, west-facing entrance section ("west front") of a Carolingian, Ottonian, or Romanesque church. The exterior consists of multiple stories between two towers. The interior includes an entrance vestibule, a chapel, and a series of galleries overlooking the nave. A westwork is usually broader than the width of the nave and aisles. It is sometimes used synonymously with narthex. The structural purpose of the massive westwork is to resolve the horizontal thrust of the east-to-west arcades of the nave. Church towers as a part of a church began with the construction of the first westworks.
Charlemagne dreamt of reviving the Roman Empire in the West. His dream along with his artistic skillset allowed him to implement artwork into buildings with westwork during this time period and can be found in the Corvey Abbey and scattered throughout other westwork buildings today.
In this Dossier
Ottonian architecture in the context of Ottonian art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
After the decline of the Carolingian Empire, the Holy Roman Empire was re-established under the Saxon Ottonian dynasty. From this emerged a renewed faith in the idea of Empire and a reformed Church, creating a period of heightened cultural and artistic fervour. It was in this atmosphere that masterpieces were created that fused the traditions from which Ottonian artists derived their inspiration: models of Late Antique, Carolingian, and Byzantine origin. Surviving Ottonian art is very largely religious, in the form of illuminated manuscripts and metalwork, and was produced in a small number of centres for a narrow range of patrons in the circle of the Imperial court, as well as important figures in the church. However much of it was designed for display to a wider public, especially of pilgrims.