Ottoman architecture in the context of "Selimiye Mosque, Edirne"

Decoration in Ottoman architecture takes on several forms, the most prominent of which include tile decoration, painted decoration, and stone carving. Beginning in the 14th century, early Ottoman decoration was largely a continuation of earlier Seljuk styles in Anatolia as well as other predominant styles of decoration found in Islamic art and architecture at the time. Over the course of the next few centuries, a distinctive Ottoman repertoire of motifs evolved, mostly floral motifs, such as rumî, hatayî, and saz styles. Calligraphic inscriptions, most characteristically in a thuluth script, were also a mainstay. From the 18th century onward, this repertoire became increasingly influenced by Western European art and architecture and went as far as directly borrowing techniques and styles from the latter.

Ottoman tiles attained a prominent role in decoration. Starting in the early 15th century, cuerda seca tiles in vivid colours were widely used in various buildings, using mostly vegetal arabesque motifs, of which the most dramatic early example is the Green Mosque and Green Tomb in Bursa (circa 1424). Various examples of tilework from this century seem to show possible Iranian influence and connections to Timurid art. A distinctive style of blue-and-white fritware, influenced by Chinese motifs and often attributed to an early stage of Iznik tilework, is evidenced by the late 15th century and characterizes the early 16th century. Iznik tiles became highly favoured during the rest of the 16th century and reached their artistic peak in the second half of the century. They featured stylized floral and vegetal motifs in blue, white, red, and green colours. The Iznik industry declined by the end of the 17th century, with production of lower-quality tiles shifting to Kütahya. In the early 18th century, a revival of tile art was attempted through the establishment of a new workshop at Tekfursaray in Istanbul, but ultimately the industry faded after this and tile decoration lost its importance.

Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces.

Early wooden domes are known only from a literary source, but the use of wooden formwork, concrete, and unskilled labor enabled domes of monumental size in the late Republic and early Imperial period, such as the so-called "Temple of Mercury" bath hall at Baiae. Nero introduced the dome into Roman palace architecture in the 1st century and such rooms served as state banqueting halls, audience rooms, or throne rooms. The Pantheon's dome, the largest and most famous example, was built of concrete in the 2nd century and may have served as an audience hall for Hadrian. Imperial mausolea, such as the Mausoleum of Diocletian, were domed beginning in the 3rd century. Some smaller domes were built with a technique of using ceramic tubes in place of a wooden centering for concrete, or as a permanent structure embedded in the concrete, but light brick became the preferred building material over the course of the 4th and 5th centuries. Brick ribs allowed for a thinner structure and facilitated the use of windows in the supporting walls, replacing the need for an oculus as a light source.

Caesarea (/ˌsɛzəˈriːə, ˌsɛsəˈriːə, ˌsiːzəˈriːə/; Greek: Καισάρεια, romanized: Kaisareia), also known historically as Mazaca or Mazaka (Greek: Μάζακα, Armenian: Մաժաք), was an ancient city in what is now Kayseri, Turkey. In Hellenistic and Roman times, the city was an important stop for merchants headed to Europe on the ancient Silk Road. The city was the capital of Cappadocia, and Armenian and Cappadocian kings regularly fought over control of the strategic city. The city was renowned for its bishops of both the Greek Orthodox and Armenian Apostolic churches.

After the Battle of Manzikert where the Byzantine Empire lost to the incoming Seljuk Empire, the city was later taken over by the Sultanate of Rum and became reconfigured over time with the influences of both Islamic and, later, Ottoman architecture.

Kastoria (Greek: Καστοριά, Kastoriá [kastoˈrʝa]) is a city in Northern Greece in the region of Western Macedonia. It is the capital of Kastoria regional unit, in the geographic region of Macedonia. It is situated on a promontory on the western shore of Lake Orestiada, in a valley surrounded by limestone mountains. The town is known for its many Byzantine churches, Byzantine and Ottoman-era domestic architecture, its lake and its fur clothing industry.

The Blue Mosque, officially the Sultan Ahmed Mosque (Turkish: Sultanahmet Camii), is an Ottoman-era historical imperial mosque located in Istanbul, Turkey. It was constructed between 1609 and 1617 during the rule of Ahmed I. It attracts a large number of tourists and is one of the most iconic and popular monuments of Ottoman architecture.

The mosque has a classical Ottoman layout with a central dome surrounded by four semi-domes over the prayer hall. It is fronted by a large courtyard and flanked by six minarets. On the inside, it is decorated with thousands of Iznik tiles and painted floral motifs in predominantly blue colours, which give the mosque its popular name. The mosque's külliye (religious complex) includes Ahmed's tomb, a madrasa, and several other buildings in various states of preservation.

The Süleymaniye Mosque (Turkish: Süleymaniye Camii, pronounced [sylejˈmaːnije]) is an Ottoman imperial mosque located on the Third Hill of Istanbul, Turkey. The mosque was commissioned by Suleiman the Magnificent (r. 1520–1566) and designed by the imperial architect Mimar Sinan. An inscription specifies the foundation date as 1550 and the inauguration date as 1557, although work on the complex probably continued for a few years after this.

The Süleymaniye Mosque is one of the best-known sights of Istanbul and from its location on the Third Hill it commands an extensive view of the city around the Golden Horn. It is considered a masterpiece of Ottoman architecture and one of Mimar Sinan's greatest works. It is the largest Ottoman-era mosque in the city.

The Old Bridge (Serbo-Croatian: Stari most), also known as the Mostar Bridge, is a rebuilt 16th-century Ottoman bridge in the city of Mostar in Bosnia and Herzegovina. It crosses the river Neretva and connects the two parts of the city, which is named after the bridge keepers (mostari) who guarded the Old Bridge during the Ottoman era. Commissioned by Suleiman the Magnificent in 1557 and designed by Mimar Hayruddin, a student and apprentice of the architect Mimar Sinan, the Old Bridge is an exemplary piece of Balkan Islamic architecture.

During the Croat–Bosniak War, the Army of the Republic of Bosnia and Herzegovina (ARBiH) used the bridge as a military supply line, leading the Croatian Defence Council (HVO) to shell and destroy it on 9 November 1993. Subsequently, the bridge was reconstructed, and it reopened on 23 July 2004. In 2017, the International Criminal Tribunal for the former Yugoslavia (ICTY) deemed that the bridge was a legitimate military target.

Ottoman Baroque architecture, also known as Turkish Baroque, was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period and Tulip Period architecture, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. It emerged in the 1740s during the reign of Mahmud I (r. 1730–1754) and its most important early monument was the Nuruosmaniye Mosque, completed in 1755. Later in the 18th century, new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II (r. 1808–1839) in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque.

The Bridge of Arta (Greek: Γεφύρι της Άρτας) is a stone bridge that crosses the Arachthos river (Άραχθος) in the west of the city of Arta (Άρτα) in northwestern Greece. It has been rebuilt many times over the centuries, starting with Roman or perhaps older foundations; the current bridge is probably a 17th-century Ottoman construction.

The folk ballad "The Bridge of Arta" tells a story of human sacrifice during its building. From the ballad, a number of Greek proverbs and customary expressions arose, associated with interminable delays, as in the text of the ballad: "All day they were building it, and in the night it would collapse."